Tag: low carbon

  • HPH274 : An innovative cork house, designed for disassembly – with Matthew Barnett Howland

    HPH274 : An innovative cork house, designed for disassembly – with Matthew Barnett Howland

    Award-winning Cork House was the world’s first to use a solid cork construction system. Matthew Barnett Howland explains the concept and how he managed to build it himself.

    Matthew with Cork House collaborator Dido Milne – Copyright Magnus Dennis

    Interview with Matthew Barnett Howland

    Matthew Barnett Howland is Director of Research and Development at CSK Architects in Eton. He has always had an interest in making things, as well as designing them, and in 2013 he teamed with academic and industry partners to research and develop the solid cork construction kit, of which the Cork House is the first pilot.

    Copyright David Grandorge

    The idea was to design a building with respect to its material ecology

    The process of designing the Cork House wasn’t to try and build a house made from cork. Instead it developed from a general dissatisfaction about how modern houses are constructed in the UK. They have a complexity at almost every stage of the building’s life cycle:

    “From the resource stage and landscaping packs; through to even the design stage, specifying different materials with different properties and so on; through to on-site sequencing of trades, interfacing between trades; through to the performance gap that you almost always get in houses where they always perform less well than they’re predicted; right through, particularly most importantly probably, to the end of life scenario where you have a destructive demolition.”

    So one of the project’s main motivations was to think about the material ecology and then develop the architecture from that, rather than the reverse.

    A holistic design approach was used

    The design of a house is typically the result of a response to site characteristics, a client brief, planner’s input, engineer involvement, a construction that will pass building regulations, followed by a pricing and value engineering process. Inevitably there tends to be a granular, rather than holistic approach to a project. What the Cork House allowed Matthew to do was be the client initiator, researcher, designer and builder, allowing him a single-minded and holistic way to approach it.

    The brief was for a building envelope that used a single bio-renewable material

    The Cork House was specifically sited at the rear of their existing house, at a bottleneck between two gardens that creates a threshold space and articulates the junction between the two.

    Copyright Phil Broom

    The brief was driven by a desire to find out whether they could make a building envelope, walls and roof out of a single bio-renewable material that would fulfil all the functions and performance requirements of the modern building envelope.

    He contacted Innovate UK and EPSRC (Engineering and Physical Sciences Research Council) and together they created a research team of academic and industry partners, who in the space of two and a half years, tested, prototyped and developed the proof of concept for the solid cork building envelope.

    Cork possesses a range of ideal qualities and uses

    The team worked with the Portugese company Amorim, who are the world’s biggest manufacturer and supplier of cork products.

    Cork comes from the bark of the cork oak tree. The majority of a harvest is used as bottle stoppers, while another part of the industry uses granulated cork mixed with a polyurethane glue to make a range of products.

    The waste from these industries ends up being made into expanded cork. The cork waste is granulated and heated to around 360°C with dry steam passing through it. The granules expand and release a natural resin, suberin, which melts and as it cools it re-bonds the expanded granules back together again. The result is a fully bio-renewable and bio-degradable product.

    Cork has a number of qualities which made it ideal for the range of uses required for this project: the structure, being watertight, airtight, insulating, internal and external finishes.

    The life-cycle of the house was an important consideration

    The house has been designed so that if a time arrives when it should come to the end of its usable life, the materials can be easily recovered for reuse or recycling.

    There is no mortar or glue between the cork blocks, and the connections between the timber elements are all bolted and screwed, meaning that everything is accessible and demountable.

    Anything that can’t be reused or recycled, being pure cork, can be granulated and put back into the soil to biodegrade and be a soil improver.

    Research was carried out to test performance

    Prototypes were made and tested in-situ for the cork’s airtightness and weather performance, which aided the research and knowledge for the construction process.

    They also undertook a range of lab tests. These tested for performance in wind-driven rain and fire protection, as well as a number of structural capabilities.

    The architecture, spaces and forms are as a result of the cork properties

    For example, the pyramidal roof shapes came about from a series of decisions about using cork.

    “It works best in compression, we don’t want to use glue and mortar for disassembly reasons, and the wall works with the tongue and groove system so a logical consequence of that for the roof is rather than introducing a new set of materials and systems that would introduce complexity, you offset this wall system using these solid blocks of cork to take the load through them. So, the form is a result of those considerations and those factors.”

    It’s built off removable steel screw piles

    The motivation for the removable steel screw pile foundations was the ability to return to a pristine site if the building was ever dismantled and removed.

    On top of the foundations, a 300x100mm timber beam was bolted all the way around the perimeter. CLT (Cross Laminated Timber) floor plates were dropped onto the ring beam giving a solid timber deck with cork insulation underneath.

    From there, prefabricated cork blocks (1268 in total!) were tapped down and held with friction to build the walls. This process was very quick and easy until it came to where they interfaced with the timber ring beam and valley beams.

    The vertical load in the house is taken down to the timber slab via the cork. The lateral and sheer loads to stop the house folding over in the wind are taken through a sort of timber ladder beam at eaves level. Matthew describes trying to ratchet strap and clamp the prefabricated timber elements with the prefabricated cork elements as being particularly challenging.

    There is a limited but consistent palette of materials throughout

    They have used spruce tri-ply and TILLY board for the built-in joinery. The bed, sofa and dining table are made from reclaimed spruce CLT, the kitchen stools are made from storm-felled oak, and the floorboards are oak unplaned timber screwed down into the spruce CLT floor.

    Copyright Magnus Dennis

    Variations to this are with the solid brass worktops, a bespoke folded solid brass bath and basin, and copper for the gutters and downpipes. All are unlacquered, pure material that can be recycled back into the manufacturing chain.

    Solutions had to be found for the plumbing and electrical work

    With solid walls that don’t have cavities or voids to hide services behind, everything is exposed and had to be thought through carefully.

    The bathroom is a self-contained independent solid CLT box structure which acts as a hub for all the services, and the CLT floor panels were pre-routed to accommodate pipe runs under the floorboards. The built-in furniture and structural wardrobes were also pre-routed for service routes.

    Matthew had a dual motivation for doing the project

    Firstly, it was to build a house which they could use themselves, and secondly it was to use their skills in design and research to respond to some of the pressing issues of our time.

    He started designing the house with his father, who was also an architect. When his father passed away he felt that it was a good use of the money that his father left him to work full-time on it to complete the project. Matthew estimates he worked on the project full-time for around five or six years.

    He is keen to continue the research and learning

    With work completed on the house there have been areas that they’ve had to return to. One was to add a foam tape on the internal face of the block joints to improve airtightness, which Matthew says would have been nice to achieve without a foam based product. And on the roof they have introduced cedar weatherboarding to help shed the rain, otherwise it wasn’t watertight just as a pure cork structure.

    Matthew enjoyed the process of research and learning, and the way of going about things in terms of conceiving and developing an idea, putting together a team, getting the funding, lab tests, prototypes, getting it through building control, etc. He would also be keen to do more work around life cycle issues, which they’re currently doing on another cork project for a client, but also look at it with other low carbon materials such as timber or stone.

    Copyright Ricky Jones

    Find out more

    Visit the website of CSK Architects

    Check out Matthew Barnett Howland’s website

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  • HPH273 : A hemp house that also minimises plastic use – with Paloma Gormley

    HPH273 : A hemp house that also minimises plastic use – with Paloma Gormley

    Architect Paloma Gormley of Practice Architecture explains how versatile hemp can be as a building material, and how plastic use can be reduced on site.

    Copyright David Grandorge

    Interview with Paloma Gormley

    Paloma and Lettice Drake’s Practice Architecture made their name when they were approached to design a roof-top cafe above a car park while in the third year of their architecture degree. Not knowing where to start with appointing a contractor, they decided to build it themselves. From being incredibly inexperienced and using power tools they’d bought from a supermarket, they successfully constructed “Frank’s Cafe” which became an incredibly popular venue.

    Frank’s Cafe and Campari Bar, Peckham. Paloma Gormley and Lettice Drake
    Image Credit Andy Matthews

    Being closely involved with the construction process is a theme which has continued throughout their approach to architecture.

    Hemp is a versatile plant

    Industrial hemp is a plant within the cannabis family that has very low THC – the psychoactive element of the plant. It’s legal to grow in the UK with a licence and has a multitude of uses, with the fibre being used in rope and linen, the seed which has nutritional value, the bud which can be used medicinally, and the shiv which is the stalk of the plant that can be combined with clay to form hempcrete.

    Hemp also sequesters carbon more than most other plants. As it’s growing it sequesters carbon into the body of the plant and also into the soil.

    Paloma’s interest in using it as a building material began with a friend’s group, Hempen, that had set up a hemp farm in Oxfordshire. The friend had suggested using hempcrete as a building material for a three-storey London self build house they were working on, and it turned out to be a very practical material for the design. It was cast in-situ and infilled between a Douglas Fir frame.

    Image Credit Oskar Proctor
    Image Credit Lettice Drake
    Image Credit Oskar Proctor
    Image Credit Lettice Drake

    Drying time issues can be overcome by using pre-fabricated cassettes

    Paloma agrees that there can be an issue with drying and curing times when using hempcrete, depending on the binder that is being used. Some of the more reliable binders have a cement content, which isn’t ideal, but those that are pure lime can be more tricky to use as they can set too fast or slow or don’t hold.

    While it can set in 24-48 hours depending on the binder, the drying times can be incredibly long. They can average at around three months for the building to completely dry out depending on temperature and air flows, meaning secondary finishes can’t be applied during this time.

    Another limiting factor can be that it is not ideal to be casting hempcrete on-site during the winter period. There’s a risk that there can be too much dampness in the wall for too long before it has a chance to dry out, causing all kinds of problems.

    One solution is to take the wet process off-site. This means the drying can take place somewhere else and then delivered to site as dry cassettes ready to use. The benefits are a more streamlined construction process, with it being cleaner, less complicated, no time spent waiting about and all twelve months being available for building.

    Hempcrete Cassettes – Image Credit Paloma Gormley
    Image Credit Paloma Gormley

    Hemp is being used innovatively at Flat House, Margent Farm

    Margent Farm in Cambridgeshire are an organisation that are growing a 40 acre hemp farm. They carry out R&D and are developing a number of hemp-based bio alternatives to plastic products.

    The brief for the farmhouse on the site was that it needed to have a good connection with the landscape, have very low embodied carbon and to avoid plastic use wherever possible.

    Plastic in its various forms is prevalent even on buildings with high ecological credentials, being used as polyurethane rigid foam insulation, vapour barriers, sticky tapes, expanding foam, nylon thermal bricks and gaskets. It can also be other things invisible to the eye such as the wiring, ducting, pipes and vents.

    Hemp cladding has been used

    It wasn’t possible to achieve the elimination of plastic completely, because of barriers in terms of cost and also in terms of alternative products just don’t exist. But overall, Paloma said they did pretty well.

    They achieved it partly by returning to what is known as breathing construction. This takes moisture from the air inside a room, absorbs it into a wall and then breathes it out the other side.

    “There are many reasons why that’s a really good thing. It limits condensation, you can have a self-regulating moisture content in a room because if the moisture content in a space gets too high, it just gets pulled into the walls and then evacuated, and it means that when something goes wrong, you know it’s gone wrong because breathing construction generally involves a much more direct relationship of material.”

    Achieving a high level of airtightness hasn’t been a key concern on this project. The main priority has been to make a well thermally insulated, incredibly low embodied carbon building.

    “So, you always have to have a level of background ventilation which we used to achieve by just having slightly leaky buildings. Now we’re making incredibly airtight buildings and then making intentional holes, which I think is a funny logic in a way, because so much generally plastic goes into making incredibly airtight buildings and then we’re punching holes in them.”

    One of the products developed from the crop at Margent Farm is the cladding that they are using on the farmhouse. It is a hemp fibre with a sugar based resin derived from agricultural waste. They are combined, pressed together and baked in a heat moulding process.

    Image Credit Paloma Gormley

    The circular economy is informing design

    Cost concerns meant that aluminium windows were chosen over timber, and although it is a very high embodied energy material, the way it can be recycled means it fits in well with a circular economy way of thinking.

    Getting the foundations right was one of the biggest challenges on the project, and they opted for concrete foundations with a suspended timber joisted floor. Since then, they have been thinking of alternative options for future projects. One possibility would be screw piles, which are dependent on the type of soil you have and can’t be used in every situation. The thinking here is again about the circular economy, where these could be unscrewed and used on another project in the future.

    Another option they’re excited by is compacted hardcore such as flint or stone which could be sourced very locally.

    A cassette system was used for the walls, based around an eight by four sheet made in a factory as boxes, filled with hempcrete and dried. They were brought to site and erected within two days.

    Image Credit Paloma Gormley

    The roof was a straight forward joisted construction, with a wood fibre insulation.

    Image Credit Paloma Gormley
    Image Credit Paloma Gormley
    Image Credit Oskar Proctor
    Image Credit Oskar Proctor
    Image Credit Oskar Proctor
    Image Credit Oskar Proctor

    The Flat House led to the establishment of Material Cultures

    Material Cultures is a not-for-profit organisation that explicitly researches and explores these different materials in the realm of off-site construction. The aim is to make them more accessible, available and affordable. They are looking to start manufacturing at a larger scale, drawing on the model of the Flat House.

    Material Cultures are also working on research projects with two universities and are developing another prototypical building with architecture students at University of the Arts London, all feeding in to the broader research.

    “So, it feels very important to us that this project and these processes happen in a very reflective way, that we’re constantly learning and moving and developing thinking.”

    Find out more

    Visit the website of Practice Architecture

    Check out Practice Architecture on Instagram

    Find out more about the work of Material Cultures

    Learn more about the uses of hemp from Hempen’s website

    Transcript

    Please connect with me

    Subscribe, rate and review the podcast in iTunes

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