HPH259 : Constructing the masonry superstructure of Portree Passivhaus – with Mike Coe

July 29, 2019 by Ben Leave a Comment

Mike Coe has a progress report from Portree Passivhaus, which is now almost watertight. We pick up the story as the groundworks begin and look at some of the challenges as the superstructure has gone up.

Mike Coe on the roof at Portree Passivhaus

Interview with Mike Coe

Mike Coe has been on the podcast a number of times. Our first interview with him was when he completed building the Cropthorne Autonomous House, where we imagined he might stay put for many years. However, with concerns over climate change, he and his partner Lizzie Stoodley decided to move further north to the Isle of Skye in Scotland.

This meant selling the autonomous house, which was not straightforward, and taking on a second project with well known architects Rural Design.

The sloping site was perfect for upside down living

Mike's previous house, the Cropthorne Autonomous House, had bedrooms downstairs, and the living space and kitchen upstairs. Mike prefers this layout and was keen to repeat it.

That's why one of the attractions of the site was its slope. The main entrance could be at the top of the house, taking you directly into the living space.

Rotten Rock provides a perfect base from which to build

Mike explains that whenever anyone builds on Skye they look for ‘rotten rock', which is a combination of the normal clay subsoil but with volcanic small rock particles mixed in. This makes a stable foundation that you can build straight onto.

Although they were digging into the hill, the rotten rock is almost solid enough to dispense with a retaining wall (but not quite!).

His first self build guided a lot of decisions

At the autonomous house the heavyweight structure of the building was used as a thermal store, which would build up heat during the summer and slowly give it back over the winter.

Hence Mike wanted to repeat what he knew worked well. Portree Passivhaus is a masonry building with a cavity wall.

This is unusual for Scotland which has a lot of timber frame buildings, that are quick to put up in the inclement weather.

Resilience was another key factor

The building's heavyweight structure will also make it a ‘fortress' for whatever weather is to come.

I think it’s inevitable that we’re going to get more extreme weather. We haven’t had that much of it in the UK yet, but there’s rarely a week when there isn’t some kind of extreme weather event somewhere in the world which makes it into the news.

The building sits on a tray of insulation

Concrete is poured into a tray of insulation to form the lower ground floor slab. The internal concrete block walls then get built onto the edges of that slab, so the internal part of the house is completely isolated.

The cavity wall is 375mm wide and uses TeploTies for low thermal transmissivity.

With a large open plan living area, the building requires a steel structure for extra support.

The first floor is a beam and block floor, and above this there will be a green roof.

We’ve got a very substantial roof structure in order to take the weight of the soil on which the grass will grow on the roof. But below that, sitting on top of the structural I-beams, there’s another layer of insulation.

There is no environmentally benign dwelling

Mike is well informed when it comes to climate change and believes that we, as a world, could be doing so much more to reduce carbon emissions. So why is he building with masonry when more sustainable materials exist?

There’s undoubtedly embodied energy in this house. How significant it is in terms of global carbon emissions compared to things that could be very, very easily avoided, I don’t know. In use, the house will have a tiny environmental footprint. It’s very energy efficient, it doesn’t have a heating system, it’ll have renewable energy systems as well.

Although it will be a number of years into the future, Mike says the house will pay back its CO2 debt. And for him it's not just about preventing climate change, this is a house that's ready to face the extreme weather events that have been caused by climate change.

When you look to the future it's not going to blow down. And the turf roof is part of the resilience strategy.

Mike gradually took on more responsibility

Having been very hands-on during his first self build, he had wanted to do less this time. However, he's found himself being drawn in!

Due to concerns over finances, he decided to save some money by installing the mechanical ventilation system and doing all the electrics himself.

But knowing the level of detail required on a project like this, he's also monitoring quality.

It’s all about during and post construction quality control. And trying to get across the message that the insulation has got to be kept clean and dry – difficult in this climate – as dry as possible and put in neatly without any gaps – I don’t know why but it’s just proved to be very tough.

So Mike has spent weekends pulling insulation out, cleaning it, putting it back again. He's also taken responsibility for some of the trickier details.

Mike spotted a thermal bridge across the cavity

With an architect and contractor who haven't built a Passivhaus before, Mike's experience has become extremely useful. During construction he noticed that the steel was creating a thermal bridge across the cavity.

The solution was to shorten the steels and put thermal break pads in. Using stainless steel bolts also helped reduce the transmission across the steel.

Delays have had an upside

Mike's contractor has had to start another project for a local hotel and this has meant a reduced workforce on Mike's site.

However, as pensioners, Mike and Lizzie have been able to squirrel away extra cash.

This gives Mike cautious optimism that he could get towards the end of the project… and even hire decorators (something they'd really like to do).

Find out more

Visit the website of Portree Passivhaus

Follow Mike Coe on Twitter

Follow Portree Passivhaus on Twitter

Transcript

Download a transcript of the interview with Mike Coe.

Please connect with me

Subscribe, rate and review the podcast in iTunes

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HPH205 : Specifying a house and creating tender documents – with Dan Higginbotham

January 31, 2018 by Robin Goldberg Leave a Comment

Architectural technologist Dan Higginbotham from Parsons + Whittley Architects talks about producing construction drawings and a scheme of works from an architect’s design.

Interview with Dan Higginbotham

Dan has worked with Parsons + Whittley for over 15 years, as an architectural technician and now also as a director. He has recently been working on Ben and Kay’s project and previous work includes housing developments built to Passivhaus standard.

The architectural technologist details how the building is constructed

Dan’s usual role is taking the architect’s 3D conceptual model and making a full set of construction drawings that someone can actually build from. These include plans, elevations and sections. As he says, “What we try to give them is a comprehensive package of information that they’re able to sit down and accurately price.”

For a Passivhaus like Ben’s, more detail is required to ensure airtightness and avoid thermal bridges. Dan explains that there’s less risk with a house only satisfying building regs, as it would probably still pass if not sealed to such a high standard.

Being methodical helps identify all the details

Dan admits that things can get missed during this complex process. He tries to avoid this by following the same method each time but this is hard as he mostly works on one-off projects.

Additional complexity comes from the many different methods of construction, and the level of sustainability clients are trying to achieve. As Dan summarises, “Although you can re-use ideas that you’ve done before, you generally have to start the whole process again depending on how people want to construct it.”

Keeping industry knowledge current is important

New products and resources may result in faster or more sustainable construction and better dwellings overall. Dan explains, “You’re forever learning new things, new technologies, new ways to construct things, and we just somehow have to try and keep up with that process and the industry, really.”

Up-to-date knowledge might come from “build indexes”, forums, word of mouth, or working for a particular client. For example, a housing association might require modern construction methods or certain levels of sustainability. Dan has also found big social housing sites useful for finding out about cost-effective materials or shortages.

Cost, simplicity, speed and specifications all affect construction decisions

A shortage of materials could affect how you design or build things. Ben and Kay’s house will use a traditional cavity build method but this decision was threatened by a shortage of concrete blocks just before work started. Likewise, a current shortage of PIR means seeking alternative insulation materials.

Deciding on construction materials and methods is a whole team process, with input from Dan, architect John, and practice partner Chris. It helped that Ben and Kay had already selected the finishes of the building envelope. The render finish and brick plinth suggested a cavity wall as cost-effective and simple to build, albeit with more insulation than is traditional.

Items specified may change at a later point

Looking at drawings for Ben’s build shows the level of detail required. The elevation showing the joinery specifies some items that they will not necessarily end up with. For example, after various discussions, an alternative supplier may provide the windows. Dan says this is quite normal: he prefers to obtain an accurate cost from a supplier rather than leave the cost as a provisional sum.

The floor plan shows 150 mm of insulation in the cavity wall, enough for this relatively large property to get through the Passive House Planning Package. Although Dan specified high performing Knauf Earth Wool (with a thermal conductivity of 0.032 W/mK), the contractor may choose an equivalent mineral wool.

Ecological aspirations need to be balanced with budget

The section of the different floors shows lots of junctions that need to be considered, especially because it’s a Passivhaus. Dan tended towards methods and materials familiar to most builders rather than potentially expensive ecological features.

Another requirement was that height be kept to that specified on the planning drawings, so Dan avoided any ecological products where more material was needed for the same performance values. He explains the choices as detailed on the section:

A strip foundation supports a cavity wall construction.
The first floor is beam and block containing PIR insulation to give a thin but solid construction with the performance needed. Above is a screed with membranes and airtightness products in between.
The floor and walls specify a very lightweight Aircrete block to get the best performance while minimising thermal bridging at the junction of the wall and floor.
The internal walls are traditional studwork or blockwork where necessary for support.
The second floor uses a pre-manufactured metal web floor joist (or Posi-joist) that gives a structurally sound floor with space to route the MVHR and other services without having to laboriously cut holes.
At the top is a fairly standard, traditional truss roof, with a more complex catslide roof to the rear. To avoid complex steelwork and associated thermal bridges and/or airtightness problems, the roofing truss suppliers came up with a truss that could form the catslide as well.

Sections help contractors avoid thermal bridges and ensure airtightness

Drawing more sections is useful where there are difficult details in the building, including all the junctions. Where each part of the building is different, more drawings may be required. Ben’s Passivhaus is fairly linear, but Dan was careful to show all the construction details so nothing would be missed.

The four sections include one of the garage, one “typical” house section, one of the stairwell arrangement, and one showing the ground-to-first-floor French door, window and boarded panel arrangement.

Developing the electrical plan is iterative

Dan uses his experience to determine locations for electrical points, taking into account where the furniture will go. However, these positions might change later. As he says, “Each client will have their own input, particularly on light fittings and lighting locations.”

A flexible space, for example the spare bedroom doubling as a study, can take more time to work out, as he explains to Ben, “Once we’ve actually physically got the space on site, yourself and Kay might then go, ‘No, actually I want a few more sockets here.’” This is typical of the process: educated guesses on paper are reappraised once the rooms are built.

The team liaise with a consultant for the mechanical design

Alan Clarke is the consultant for the mechanical systems on Ben and Kay’s project: the MVHR design, the hot and cold water supply and heating the property. Dan and the design team work with Alan on decisions like budgeting for the right boiler and the site for the MVHR.

A major consideration is distributing the ductwork within the property. Most of the pipework is routed through the open webs of the intermediate floorspace with additional risers to the first floor. On the second floor landing a false ceiling provides a service void where ducts are routed to each room.

The schedule of works provides more information for the contractor

After completing the drawing package, Dan itemises every detail in the schedule of works. Reading this document alongside the construction drawings enables the contractor to produce a priced specification and to understand the methods and materials of the project.

Find out more

View Dan’s profile on LinkedIn

Visit the website of Parsons + Whittley

Transcript

Download a transcript of the interview with Dan Higginbotham

Please connect with me

Subscribe, rate and review the podcast in iTunes
Rate and review the podcast on Stitcher
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HPH203 : Putting craftsmanship at the centre of your eco build – with Will Anderson

January 22, 2018 by Robin Goldberg Leave a Comment

Author and self-builder Will Anderson talks about realising his self-build dream not once but twice!

Interview with Will Anderson

Will describes himself as “a writer, actor, builder and craftsman”. His account of his first self-build was published in The Independent newspaper and is now available to buy as a book. His previous work has included writing and contributing to other publications with an environmental angle.

A tree inspired a house with high environmental standards

Around the year 2000, Will Anderson and his partner snapped up a rare South London plot. The very big tree it housed inspired the name and design of Tree House: a house that would work like a tree. Wanting to do their very best for that plot meant building a house that was not only wonderful to live in, but had the very best ecological performance.

Will says any extra costs were justified by long term savings, adding, “If you built a house that had the very best environmental performance, it would also, hopefully, be the very best for you.”

Technology helped Tree House achieve its ambitious goals

Will was interested in the Passivhaus standard and had even contacted Wolfgang Feist, but in 2004 it wasn’t an established approach in the UK. So Will worked with his architect, Peter Smithdale of Constructive Individuals, to deliver a house that was self-sufficient in energy and “zero carbon”. To manage this meant combining a fabric first approach with “quite a lot of technology”.

The high-performance house included a PV cell array, and a hot water panel. Furthermore, a ground source heat pump was installed in boreholes in the small plot. Will says this tried and tested technology continues to work very well, explaining, “They’re quite simple bits of technology compared to boilers.”

Will built with the plot next door in mind

Tree House was detached, but they knew that eventually it would become semi-detached, as there was a plot next door. Thinking ahead, Will avoided putting windows on the northern elevation that would become a party wall.

The people who owned the garden in question appreciated the consideration and gave him first option when they decided to sell the land. He took the chance to build his second house, The Orchard.

Where the two houses meet

Will had to overcome issues of planning and party walls

Building onto a detached property presented some challenges. For example, the render board had to be removed from Tree House and another timber frame wall built and filled with insulation. Furthermore the two walls couldn’t be attached (apart from some metal ties at the very top) to ensure acoustic isolation.

Getting the right design and gaining planning permission took a long time too, but one of the biggest problems was the party wall agreement. Will advises getting a really good party wall surveyor and paying attention to the detail of the party wall award, adding, “You need to just make sure you’re properly protected.”

The Orchard has an improved fabric but less technology

Will wanted The Orchard to use less technology but still be very comfortable. This meant improving the fabric of the house in order to cut out the heating system. Contractors and materials were more familiar with Passivhaus principles by then and The Orchard benefitted from a purpose built external airtight layer.

The Orchard is ventilated non-mechanically, a deliberate decision on Will’s part. He is very pleased with their Ventive passive heat recovery ventilation system, commenting, “We’ve got a completely draft free, stable interior temperature, but we still have good air quality without having all the business of mechanical ventilation.”

Heat-recovery ventilation cowls

Will wanted to get more hands-on second time around

Helping finish the building of Tree House gave Will enough confidence to get more involved the second time around, although he says, “You need to know your limits, obviously”. So, even though he had done a bricklaying course, he called on an experienced bricklayer when he lost confidence on the garden wall after the tenth course of bricks.

Some subcontractors will have their own helpers and will want to do all their work on their own terms. But Will says there are others who won’t mind you joining in. For example, given Will had some experience, the frame company, Touchwood Homes were very happy for him to lend a hand.

The Arts and Crafts Movement inspired Will’s labour of love

As part of the house building process, Will made his own workbench. That it has remained part of the main room says much about Will’s love of handmade items. The Orchard is inspired by the Arts and Crafts Movement and its architects, many of whose houses he has visited. What he likes so much is “the handcrafted approach, the delight in materials and in a kind of clean but very rich design.”

Although he started without any craft skills, Will learnt a lot of trades to build The Orchard, including ceramics, even making tiles from their excavated foundations clay. To find the right course Will recommends trying out what’s local. He found one reasonably nearby in Croydon, where he learnt joinery, bricklaying and plastering. He went further afield for the more specialist skills: cabinet making in Kent and stained glass making at the Working Men’s College in North London.

Learning skills had to be balanced with designing and building

At the design stage, Will was already thinking about how to incorporate these crafts aspects, meaning careful planning was needed. He admits it was tricky to move between design, doing courses and starting on site and keep it all going at the same time.

For example, the open-plan kitchen in the main living space had to be part of the overall design to make sure it would fit in: it was built long before the house! Likewise the two-storey, triple-glazed, staircase window, finished with stained glass, was always part of the design.

Self-builders need support and patience, and to understand the industry

Will says that self-building with no experience isn’t so hard if you get the right people to do the right jobs and you have enough patience. Understanding how the building industry works is important too. For example, Will advises being flexible rather than getting frustrated if builders don’t start when they said they would. “In the building industry, that’s absolutely standard. Not because builders are unreliable, but because people’s timetables and schedules are always shifting,” he explains.

New technology can help with using reclaimed materials

Will has used reclaimed materials in both houses. For example the parquet flooring uses African, Australian and Asian woods that would be impossible to source sustainably today. Modern glues can “recharge the bitumen”, so it didn’t need to be removed. This made the process easier but it was still labour intensive, especially as each room used a different wood and a different pattern.

The blocks of wood had to be cleaned then set out properly. Will’s method was to build out from a long spine of blocks down the middle of the room. Care was needed to avoid the pattern going wonky and having to cut blocks to fit them in. Next everything was sanded down to a new surface and then oiled. Will reflects, “A massive, massive amount of work that was. But I absolutely love it.”

Careful planning has paid off

As the name suggests, Will wanted to build an urban orchard. He knew he wouldn’t get big machinery to the back of the house after it was built, so before he started building he replaced a lot of the poor soil with “really good quality muck”. Now the front and back gardens are densely planted with fruit trees and outside the thermal envelope are a larder and a conservatory where Will grows more tender fruit.

As so much of the house is hand made it has been a long project, but all the work and planning was worthwhile. Will says, “We’ve taken a long time over it. But we’re going to be here forever, so that’s okay.”

Find out more

Read Will's blog Building The Orchard

Read Will’s book about Tree House

Transcript

Download a transcript of the interview with Will Anderson

Please connect with me

Subscribe, rate and review the podcast in iTunes
Rate and review the podcast on Stitcher
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HPH199 : The challenges of building close to your boundaries – with Oliver Smallman

December 19, 2017 by Robin Goldberg Leave a Comment

Self-builder Oliver Smallman tells us about planning, building and living in his London Passivhaus.

Interview with Oliver Smallman

Oliver and his wife are not absolute beginners at self-building. They co-designed a house in Corfu where they have lived on and off for 27 years. As Oliver sums it up, “Probably not the best design I’ve ever seen in the world, but with the most remarkable view.”

Photo courtesy of RDA (http://www.rdauk.com/)

A rare chance to build green in London

While the Corfu project was a tremendous experience, Oliver had no intention of self-building again. However, when he had an opportunity to buy a house in Chiswick, with an unusually large garden, he saw the chance to use new, ecological building methods to build a Passivhaus.

The sunken design meant opting for concrete

Oliver designed his Passivhaus with Richard Dudzicki, of RDA Architects. They originally planned to use Structural Insulated Panels but the site was very constrained and Richard saw the potential for sinking the house below ground. Thus they chose a piled site and a concrete build.

Oliver had already fallen in love with the use of boarded concrete and explains, “The concrete walls on the interior, boarded and plain and smooth, were always in the plan.” The mixture of textures is part of what Oliver calls, “concrete as a look”; they even allowed the errors of the pouring to remain.

The brief called for concrete, convenience and light

As well as using concrete, Oliver wanted to avoid the house being dark. He says lots of glazing along the south of the house works well for a Passivhaus.

In terms of style, he had grown used to travelling in his work life and Oliver appreciates functional touches like having the lights over your bed and the switch at hand. “It’s a little bit “hotel-y” but it really suits me,” he says.

Neighbours objected to the modern design

Although the planning application was recommended for approval, about 40 local residents came to the planning meeting with extremely negative reactions and three councillors stopped the application.

One reason given was excessive size, despite the majority of the house being underground. They also argued the house was not “in keeping with the area” but Oliver has a different perspective, asking, “Why would you build a replica of a house that was built in 1949 or 1950? You’d be mad!”

Repeated planning applications didn't just pay lip service

Rather than sacrifice his contemporary design, Oliver tried to absorb feedback to gain his neighbours’ support. This meant some meaningful compromises where the design was blended in. For example, Oliver chose to match the white exterior walls and bricks of the other houses in the road.

A smaller second design allowed more green space, but the application was rejected again. Oliver then lost his appeal on the grounds that he wasn’t providing parking. Further reducing the top floor enabled off-street parking to be included in the next application.

Getting planning consent took four applications

Having seen the application a number of times, twelve Council members gave up their Saturday morning to come and look at the site. The opposition party made representations but Oliver says they made the mistake of behaving rudely. As he explains, “I think the Council officers probably thought, ‘You lot are nuts and this guy’s doing something perfectly reasonable.’”

At the next vote, the same three councillors objected, but the others disagreed, so planning permission was finally granted four years into the process. Oliver notes that the final design fits the street and has become accepted. The modern house is softened by use of greenery and locally appropriate materials.

Research led to the right concrete and windows

Although Oliver was inspired by the use of concrete in stations like Westminster, his design contrasts it with wooden floors. In addition, he used Portland Whitener to lighten the colour. Oliver went to the Concrete Centre and signed up for the course in concrete pouring. “You can’t just phone up a concrete company and they bring you concrete and pour it and then it looks like this,” he says.

Oliver also did a lot of research to find the right triple-glazed windows. He has been happy with the certified Passivhaus windows and service provided by Internorm.

A tight urban site presented challenges

The eight by eighteen metre site meant building close to boundary walls. The existing house had to be underpinned and Oliver needed to protect his neighbour’s house and cherry tree while digging a four-metre hole within three metres of them. To give Oliver the security to start digging out, a specialist company was used to sink the concrete piles.

Digging a large hole on such a tight site meant that space for storage and machinery was permanently on the move. As Oliver says, “It’s like a dance. When we were piling it, the piler would be in one corner, the concrete machine would have to be in another one.” They even built a platform to put the digger on to remove the last piece of soil.

The Passivhaus offers comfortable, healthy living

When the house was complete, Oliver actually rented it out for a while. Staying in his existing draughty house meant he appreciated the difference even more when he moved in. Three things surprised him. Firstly, how quiet the concrete-built, triple-glazed house is. Secondly, the fantastic air quality and thirdly, living draught free, with the same temperature everywhere.

Oliver isn’t dogmatic about the Passivhaus method but is extremely satisfied. “There may well be better solutions in the future, but I’ve now had the opportunity to live in this house for nearly a year and I absolutely love it,” he says.

Leaving a legacy costs more

Oliver’s house is designed to last and be efficient. As he explains, “I’m trying to build something that uses very little power and little energy, and I’ll be long gone but it’ll be a very valuable asset either for my own children or for somebody else.” In fact, he says his energy costs are easily under £500 a year.

However, Oliver admits the build cost more than he’d intended, saying, “I thought I could do it for £400,000 and I built it for £600,000 finished.” Digging out the soil had been much more expensive due to bad weather. Moreover, he could have saved on some specifications but paid more for feel and durability. For example, he fell in love with the floor in the Saatchi Gallery. He reveals it cost “a crazy amount of money” but the untreated Douglas Fir will last hundreds of years and could be sanded a thousand times.

Oliver’s tips for self-builders

Commercial builders tend to avoid low energy builds as they are less profitable, but Oliver remarks that the more people who put up good buildings, the more the country as a whole will benefit.

His key advice is to persevere. As well as using Google for research, he has two other top tips for green builders:

He recommends the PAUL MVHR system
The Green Building Store has a lot of very good information, e.g. their planning service for the MVHR (around £300)

Find out more

UK Passivhaus Awards 2016

RDA Architects

Watch a video on Chiswick Eco Lodge

Transcript

Download a transcript of the interview with Oliver Smallman

Please connect with me

Subscribe, rate and review the podcast in iTunes
Rate and review the podcast on Stitcher
Like our Facebook page
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HPH198 : Creating an interior that works perfectly with the exterior – with Emily Bizley

December 11, 2017 by Rachel Goldberg Leave a Comment

Interior designer Emily Bizley explains how she and her husband, an architect, co-designed their RIBA shortlisted self-build home.

Interview with Emily Bizley

Emily wanted to be an interior designer since she was very small, but ended up studying French and Psychology at university before deciding to go to Chelsea Art College to pursue her childhood dream. After gaining more qualifications, Emily worked for architects to get some experience. From there she went to work for an interior designer in London, and now has her own practice based in Somerset.

The interior shouldn’t be an afterthought

If design decisions aren’t guided by “a bigger idea about what the building is supposed to be”, there’s a risk that the interior and exterior won’t be coherent. Emily explains they wanted to build a timber house that was sympathetic to and connected with the surrounding countryside and nearby agricultural buildings.

She says she’s visited a lot of timber clad houses that look fabulous on the outside but whose interiors are “a crashing disappointment because it’s all white plasterboard with twinkly down lighters and absolutely no atmosphere.” She finds it surprising these houses aren’t made of wood both inside and out, like those she and her husband visited in Switzerland.

Ask yourself how you want each room to feel

Emily and her husband both did a lot of sketching for their self-build. They focused much more on how they wanted a room to feel, rather than how it would look. Sketches of room scenes helped them imagine their lives in the new house and captured the desired atmosphere.

Design the interior and exterior in partnership with one another

Focusing on how they wanted the kitchen to feel took them through a series of questions; the answers defined the design inside and out. For example, thinking about what they wanted to look at while eating breakfast, and where the sun would be coming in, suggested the size and position of the windows. But then they had to consider how this would affect the elevation outside, and the design needed tweaking to get to the point where it worked inside and out.

Emily says they decided to have their sitting room separate to (but adjoining) the open plan kitchen dining area. They designed this room to be a half level up with the ceiling following the roofline down, making it a cosy snug. She explains the materials they used are the same, it’s just that the space has been slightly manipulated to create a different atmosphere.

Think about how natural light will reach all the spaces

Emily’s house has light from all sides. She says it is really important to ensure that the darkest parts of the house still get natural light. They incorporated skylights into the design for their self-build, to avoid any “dark dingy corners”.

Create interesting relationships between spaces, inside and out

The sloping site presented challenges. Emily explains, “A developer house would just be plonked on stilts at the front to make the site flat, but then you lose the relationship to the garden”, adding, “We didn’t want that feeling of being on the upper floor and feeling really disconnected from the garden.” Instead, they dug down to enable the house to sit back in the hillside and decided to go for an upside down layout, taking care to create access to the garden from different places.

Their self-build uses internal glazing to create interesting relationships within the house – the rooms aren’t “a series of boxes with doors”. Emily says that internal glazing was something she and her husband had always liked about French houses and had been on their list of things they’d wanted to incorporate into their designs.

Be generous with some spaces to create the right atmosphere

Sometimes it’s worth sacrificing a bit of space to be generous elsewhere. In the case of Emily’s self-build, the design for the lower floor incorporated a wider hallway. She doesn’t see this as wasted space as it avoids the feeling of going downstairs into a rabbit warren of bedrooms.

Restrict the palette to avoid a “mishmash of everything”

There are a lot of options when it comes to interior finishes. Emily says they were quite disciplined in having just a few ideas for their interior and carrying those through with some rigour. She describes the house as having “two quite distinct overall sorts of atmosphere”. The rooms are either lined with oak or painted plywood; no walls are just plastered. And some of the ceilings are crafted from rough-sawn softwood and painted.

A joiner made their bespoke kitchen and he sourced the wood from the same supplier used for oak lining the walls. Emily comments, “The kitchen is intended to look like the walls, and blend in.”

Think about furniture early on as it impacts the design

Although Emily believes it’s good to let ideas develop and to be able to respond in an organic way, it’s also important to have an overall idea when it comes to furniture. She uses their veranda as an example, explaining that it is pretty much square in plan, but as the house is not a square box the corner of the deck intentionally gets wider to accommodate the table and chairs.

It also helps to know what you’re planning to do furniture-wise to produce electrical plans. For example, do you want to sit in a particular well-lit corner and read? The position of an extractor fan in the kitchen is another important consideration – what type of cooking do you tend to do, and does that require extraction directly above the hob?

Factor in storage during the design stage

Emily comments, “If we did decide to put everything away, there would be a space for everything.” The big store at the back houses the plant, store and utility rooms. They also incorporated really big wardrobes into the kids’ bedrooms and Emily and her husband have a lot of storage space in their dressing room.

Other tips for self-builders

Collate images of anything you really like into a folder
Have some clear ideas and follow them through – don’t get distracted
Think about how materials and texture can achieve the atmosphere you want

Watch a 2-minute video about their home

Find out more

Visit the website of Emily Bizley Interior Design

Follow Emily Bizley on Instagram

Visit the website of Prewitt Bizley Architects

Transcript

Download a transcript of the interview with Emily Bizley

Please connect with me

Subscribe, rate and review the podcast in iTunes
Rate and review the podcast on Stitcher
Like our Facebook page
Follow us on Twitter

HPH197 : Taking risks, overcoming challenges and achieving outstanding results – with Jon Martin

December 5, 2017 by Robin Goldberg Leave a Comment

Jon Martin explains how he beat the odds with his extraordinary self-build tree house.

Photo courtesy of Grand Designs Magazine

Interview with Jon Martin

Plumber Jon Martin and ceramicist Noreen Jaafar sold their high-maintenance Edwardian house to fulfil their dream of building their own home: an architecturally innovative Passivhaus that preserves the ecology of its urban plot.

All house photos by Tomas Millar of Millar + Howard Workshop

Local knowledge helped Jon find an urban plot

Jon has always liked living in the town centre. He wanted to keep his fuel and energy costs and carbon footprint to a minimum. Urban plots are usually hard to come by but they managed to find one within nine months.

Once the large, formally planted garden of a bank manager, the plot was sold off by the Royal Bank of Scotland. Although considered an eyesore locally, the plot had 28 listed trees and a rich ecology, and various planning applications had been turned down.

Jon explained to the neighbours and council that he wanted to preserve what was there, not just “come in and butcher the area”. As a local, he thinks he may have been more readily trusted, saying, “I don’t think it had any sway but I didn’t get the resistance that I think somebody from outside might.”

The need for surveys and outstanding design increased cost

Jon and Noreen knew that gaining planning permission rested on their design adding outstanding architectural value to the surrounding area. Outline drawings cost a fair amount and an outstanding architect costs even more.

In addition, they needed to reassure the planners that existing ecology, arboriculture and even archaeology could be protected. There was abundant wildlife, including bats, badgers and slow worms. Jon says, “The only thing we don’t have is a great crested newt!” Specialists were needed to establish what was present and prove it could be preserved.

Buying without planning permission was a big risk

Although the house hasn’t been valued, Jon believes that the plot economics have worked out. However, he probably wouldn’t take such a risk again, saying, “We bought it without planning permission, actually having been told by the local Council we wouldn’t get planning permission.”

The plot cost £85,000 and its restrictions meant spending nearly £20,000 on surveys, meaning that the couple had borrowed £105,000 before getting planning permission. Considering their limited budget, Jon says, “It was either a very reasonably priced building plot or an incredibly expensive garden!”

Local support and detailed designs helped their appeal

Despite having unequivocal support from the neighbouring church and the Parish Council, the planning application was turned down. The only option was to go to appeal at the district Council. Jon went armed with a scale model showing every tree.

The appeal went through unanimously with the application cited as an exemplar of how to enhance a town centre. They have also been given a Campaign for the Protection of Rural England award. Jon says it is rare for a house to be recognised like this but with no concrete used throughout the build, it actually “treads very lightly”.

The design was challenging and contractors got cold feet

Finding the right professionals wasn’t straightforward. The structural engineer needed to work with a design delicately raising cantilevered sections into the air on slender legs, surrounded by trees. Planning how the 16 piles would miss tree roots took trial and error, digging small excavation holes and where roots were found, repositioning the pile and recalculating.

Unfortunately the first contractor they gave a deposit to went bankrupt. Moreover, Jon says that some contractors were put off by the project appearing on Grand Designs. A second contractor tendered for the contract but then got nervous and wanted to raise their price. About three years in, with only a few screw piles in the ground, Jon realised he had to take over as the main contractor.

Building a Passivhaus provided a standard to meet

The Passivhaus standard dictated levels for air quality, MVHR noise, duct size, energy use and temperature range. Jon says the cost of an energy consultant paid off in comfort, adding, “On a sunny day, it really does heat itself, it’s incredibly pleasant to live in.”

The Passivhaus ‘form factor’ determined how other aspects of design had to offset the shape of the building. Jon and Noreen’s house has quite a large surface area compared to volume and Jon says, “Everything has to be proportionally better to come in under the Passivhaus benchmark.”

Innovations in the structure and insulation benefitted the house

The house is free from thermal bridges, achieved by a “twin skin” containing 400mm of insulation. Using open-celled spray foam insulation improved airtightness and reduced off-gassing. Jon says it is nearly impossible to get the airtightness required for a Passivhaus using slabs of insulation. With spray foam and a lot of design and taping he achieved an exceptional airtightness.

The open-celled structure of the foam meant that off-gassing finished within two days whereas Jon says formaldehyde can come out of conventional slabs of insulation for decades. Although more of the open-celled material is needed, it breathes and is airtight and so he says it is hard to beat.

The house was 90% built by two people in 18 months

Jon thinks it took about 18 months of building for him and another man, with occasional help from a plasterer, an electrician and one additional man. Jon’s huge DIY effort included plumbing, putting the roof on, hauling and cutting all the timber and putting up the floors, walls and tonnes of steel.

Although the house wasn’t completely finished when they moved in, another six months saw the bedrooms and stud walls finished off.

Jon’s tips to keep it simple and love your build

Jon admits that he actually hated the build process at times. They even fell ill during the difficult planning process. “Unfortunately it really does rip your soul out,” he says. Now that he is settled into the building, however, he absolutely loves it.

House building is challenging and Jon would try to enjoy it more if he did it again. To achieve this, and come in on budget, his advice is to simplify:

Choose a simple design
Invest where it pays dividends: the fabric of the building, the insulation and the windows.
Save on areas you can upgrade later: the kitchen, carpets or floor material
Cut costs early and be honest with yourself. The buck stops with you, so make changes sooner rather than later, whether relating to contractors, materials, or unforeseen circumstances.

Find out more

Visit the website of Dursley Tree House

Transcript

Download a transcript of the interview with Jon Martin

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HPH196 : Why communication is central to self build success – with Lucy Pedler

November 27, 2017 by Rachel Goldberg Leave a Comment

Lucy Pedler, architect and founder of The Green Register, talks about the importance of good communication throughout a self-build project.

Interview with Lucy Pedler

As a child, Lucy was interested in the worlds of science and arts and wanted a profession that could combine the two. She qualified 35 years ago, and has worked as an architect in the UK and US.

Influenced by her father, an environmentalist, Lucy wanted her career to encompass both architectural and environmental work. In the early ‘90s, she worked as a Product Specialist at Construction Resources (the UK’s first Ecological Building Centre) for five years; this involved researching the environmental impact of building materials and systems, and training other construction professionals in green building.

In 2000, Lucy launched The Green Register, a not-for-profit organisation providing independent training and promoting sustainable building practices across the construction industry.

Poor communication is the cause of many problems

Lucy believes we spend quite a lot of time as human beings not saying what we think! If you can communicate effectively – using a bit of tact and choosing words carefully – people know where they stand. Lucy says some people think she’s quite direct but at least there’s no grey area.

Making the importance of communication clear from the start helps to create an environment where everybody’s comfortable talking about the build.

A robust brief ensures everyone’s on the same page

Good communication is key to making the project a success and this begins with a detailed brief. To produce one, the architect or designer must first thoroughly understand what the client wants.

This document should then be referred to throughout the build process as things inevitably change. For example, there may be planning issues, unexpected problems on site, or design alterations. A detailed brief aids important discussions about the time, cost and design implications of changes.

It’s worth spending time setting the green agenda

When people tell Lucy they want a ‘low energy house’ she needs to clarify exactly what that means. Clients may just want low energy bills, or they may have concerns about the bigger picture: the way the house is built, materials used, internal environment, wellbeing, etc. It’s a lot of work that has to be done at the beginning, but Lucy says you’ll reap the benefits throughout the process.

Be realistic about the budget from the outset

A fabric first approach is much better in terms of environmental issues and impact. But Lucy understands that the majority of people don’t have the money to do 100% sustainable buildings, commenting, “Don’t beat yourself up if you haven’t got the perfect house because whatever you do is going to be better than the average house in the UK, which is very, very mediocre.”

Lucy advises people to be honest about access to funds and what you have upfront. Then everybody involved knows what you can afford. You don’t want to run out of money and work to suddenly stop onsite.

The project lead should manage expectations about cost

During a career spanning more than 30 years, Lucy can’t remember a project where the cost didn't change, usually in an upward direction. Managing clients’ expectations won’t make the problem go away, but lessens their disappointment.

The architect (or lead) should explain the process and set expectations that the project will probably go over cost and time. If unexpected costs arise, they’ll refer back to the brief so the client can decide whether to increase the budget or save costs elsewhere. Lucy says self-builders often see the long-term benefits of increasing the budget.

There’s huge value in face-to-face communication

Modern communication technology sets expectations that everything can be done immediately. While some decisions are quick to make, Lucy thinks we’ve lost something in not being given the time to consider things.

Projects can be discussed remotely using phone, Skype and email, but Lucy gives reasons why talking to clients in person can be advantageous:

You can sketch over plans while talking through concepts.
It's easier to compare room sizes on plans with the room you’re all sitting in.
Some decisions take a bit of time and are best explained face-to-face.
You can observe non-verbal reactions, e.g. facial expressions.

3D modelling makes it easier to convey concepts

Many clients can’t understand 2D drawings and Lucy comments, “Why should they? It took us seven years of training to get where we are.” She recommends a programme called SketchUp, which is very simple and can quickly produce a 3D walkthrough to use with clients, helping them to experience light and height and changes in space, etc.

It’s important that concepts aren’t presented as a fait accompli, and Lucy says clients should feel able to give feedback. Reviewing conceptual designs is a key stage for communication, when you’ll work out basics such as the position of the living room or the size of the kitchen.

Design iterations take time and can be costly

Lucy recalls a client who requested ten different designs for a 2m x 2m bathroom and chose the original one in the end! A helpful approach is for the architect or designer to state upfront the number of design options included in their price, and make it clear they’ll have to start charging extra for any additional major changes.

A collaborative design and build approach is worth considering

While in the States, Lucy worked with contractors from the conceptual stage onwards and the contractor would inform some of the technical decisions. This approach required a high level of trust, but meant shared ownership of the project. And when it came to pricing the job, the cost was quite realistic.

Lucy says when you go out to competitive tender, contractors may not have understood the drawings or might not be pricing accurately. She cautions, “Although it might appear initially to be the lowest cost, at the end they’re clawing back what they need in order to make a profit.”

A neutral third person can mediate between client and contractor

Lucy says if clients can afford to appoint someone to oversee the project that’s a real plus. The architect or project manager can tell them early on what’s likely to happen during the construction stage and clarify what their fee will cover.

Self-builders often get much more involved, but Lucy suggests clients don’t take on the project management role themselves as they’re too close to the project and usually don’t have the experience needed.

Agree a schedule of meetings for the build

When the construction stage begins, you’re introducing a lot more people, so communication can be challenging. And clients often perceive progress to be slow and see costs increase and timescales slip during this stage.

It’s helpful to plan a schedule of meetings and clarify to the whole project team where they’ll be held, who does/doesn’t need to attend, what’s going to be covered, etc.

Lucy says the one group of people they find very difficult to get into Green Register seminars are builders. She recommends ‘toolbox talks’ if you’re trying to achieve a low energy building, as spending just a few hours explaining the concepts is money well spent.

3 more tips for a successful self-build

The amount of information and decision-making can be overwhelming. Decide how involved you want to be, e.g. technical decisions may be best left to professionals trained to deal with them.
It’s important no one in the team holds back. The client, architect or contractor needs to share their concerns or say if there’s something they have doubts about.
The Green Register encourages post-occupancy monitoring (e.g. of airtightness, fuel costs, etc.). This can reassure you that you’ve got what you set out to achieve.

Find out more

Visit the website of The Green Register

Follow The Green Register on Twitter

Transcript

Download a transcript of the interview with Lucy Pedler

Please connect with me

Subscribe, rate and review the podcast in iTunes
Rate and review the podcast on Stitcher
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HPH195 : What is cellulose insulation? – with Gordon Lewis

November 13, 2017 by Robin Goldberg Leave a Comment

Gordon Lewis explains what cellulose insulation is, how it's applied and why self-builders can benefit from choosing it.

Interview with Gordon Lewis

Gordon Lewis has been involved with cellulose insulation for over 26 years. He mainly works installing Warmcel insulation into timber-framed properties.

Choosing insulation material is important

Cellulose became known as an insulation product in the early 1980s. Made from recycled newspaper, it is a highly sustainable product. The newspaper is milled down to make the fibres much smaller, then fire-retardants are added.

Gordon admits that man-made insulation materials are likely to continue in the market but he is optimistic about the alternatives, saying, “Cellulose is slowly creeping back into the marketplace and doing a great job.”

Paper use has declined but cellulose insulation is still available

The growth in information technology has meant a decline in the availability of newspaper for recycling. Along with overhead costs, this has resulted in some factories closing. For example, Gordon’s former employer, Excel, the sole UK manufacturer of cellulose insulation, closed down in 2014.

Sources of newspaper and cellulose insulation do still exist, however. There is one company in Ireland and there are many more manufacturers of cellulose on the continent. Gordon uses a brand called Warmcel, which is made by CIUR in the Czech Republic and shipped to the UK.

Any timber-framed building can incorporate cellulose insulation

Cellulose can be used for other build methods, but is ideally suited to timber frame buildings. Because it’s made from paper, it must be fitted in a way that avoids contact with any damp surfaces. There are a number of different materials that can make the “sandwich” containing the insulation; it might be rigid board on both sides, or one side could be a membrane.

Different boards also have different thermal performances, so it is worth thoroughly researching all the materials involved. This includes speaking to people that have had properties built, architects, builders, or the installers. Gordon says, “Ask as many questions as you possibly can to get on the right foot, to say, ‘that’s the product that I need.’”

Cost and quantity of insulation are based on location, depth and density

In order to calculate cost and how much product is needed, Gordon considers where the cellulose insulation’s going, the depth of the space to be filled and the density required. Locations could include internal or external walls, floors, an attic space or a sloping ceiling. Gordon uses formulae to establish how much material is required for that particular build.

Any moisture issues must be addressed prior to installation

Generally, before any installation is carried out with cellulose, the building needs to be wind and watertight. Cellulose will dry up and cope with a certain amount of moisture, but not too much. For example a constant leak or rainwater continually getting in to the frame would cause problems. If the doors and windows are not in, those access areas can be masked off with polythene on both sides to stop rain being driven in. Gordon will look out for water or staining on boards from rainwater that may have dried up over a day or two. To inspect for damp before installing cellulose he might drill the wall and test by hand.

Holes in the wall allow the insulation to be pumped in

The cellulose needs to fill voids created by the timber frames and rigid boards, and there can be hundreds of them to find. Experience gives Gordon familiarity with typical frame kits so he knows the small gaps to watch out for, and how to access them. He can also identify them from the screw patterns, looking at the drawings, speaking to whoever fitted the boards, or even asking them to mark the boards showing whether or not there’s a gap. If there’s still any doubt, he may drill a small hole to check.

Special sealing tape is used to maintain airtightness afterwards

Once a hole has been cut to access each void, and the insulation pumped in, the core is sealed back over the board. To make it 100% airtight, the tape must have no creases. On the job where Gordon and Ben met, the PH15 build had close to 500 holes cut and repaired. The airtightness test showed below 0.01 air changes an hour at 50 Pascal; one of the best results recorded.

After installation, moisture problems are rare and can be rectified

In Gordon’s experience, once the insulation’s in, it’s there for the lifetime of the building. He comments, “As long as the fabric and the structure of the building is sound, it’ll be there forever and a day.” He has had few subsequent issues, maybe three or four over 26 years. He believes those failures arose because people didn’t understand the building needed to be wind and watertight.

If mismanagement does result in a bad leak going into the insulation, it can be replaced once the building is watertight. Gordon explains, “We have to cut a large hole in the board, if it’s not too badly damaged, or the whole board is taken off, and then all that wet insulation is totally removed before it can be replaced.”

Experience counts but self-builders can get involved

While Gordon has a lot of expertise in his field he encourages keen self-builders to get involved, saying, “They can get to the point where they can actually install the insulation themselves, if they want.”

When he’s been on jobs where self-builders have helped, Gordon has supervised everything and made sure the equipment is set up right. Gordon uses a Krendl machine that breaks up the fibre, and then blows it from an airlock through the hose to the delivery point. Knowing that each cavity is full enough is mostly down to experience, but there are tests to check the density and location.

Cellulose insulation is gaining popularity

Gordon sees a growth in using cellulose insulation in line with a wider increase in green building techniques. More people are demanding greener products and want the benefits of Warmcel or another cellulose product.

He sees the market increasing slowly, saying, “People are looking to recycle as much as they possibly can. Whether it be the insulation, the boards, all sorts of things, and sourcing the material as locally as possible.”

Find out more

Visit the website of CIUR

Transcript

Download a transcript of the interview with Gordon Lewis

Why the location of a self build is an eco consideration

Ben Adam-Smith reflects on one aspect of his last house that he absolutely loved: its location. It was close to local amenities, and meant that Ben did a lot more walking and only needed one car for the whole family!

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HPH191 : Key decisions that impact on the sustainability of a house build – with Lloyd Alter from TreeHugger

September 25, 2017 by Robin Goldberg Leave a Comment

Lloyd Alter from TreeHugger shares his advice on what we should be prioritising as 21^st century self-builders.

Interview with Lloyd Alter

We catch up again with Lloyd Alter, whose work as an architect and a real estate developer led to his interest in modern building methods. He blogs for the website TreeHugger and also teaches sustainable design at Ryerson University in Toronto, Canada. Previously, Lloyd’s talked to us about worldwide trends in green designs.

Don’t measure value in pounds per square foot

Lloyd says that size will be the most important decision about a house build because so much relates to it. While building small may be preferable for sustainability, he acknowledges there are various problems to overcome.

Some contractors may refuse work on smaller houses, or argue that a bigger house is better value. Lloyd warns against buying more space than you need. A bigger house may cost less per square foot but that is a dangerous criterion for measuring value. He explains, “It will cost you more per unit of area to build smaller but the aggregate, it will still cost you less.” Operating and maintenance costs will also be less with a smaller dwelling.

House size may be dictated by the plot

Re-sale value can force a self-builder into a larger project. Often it’s the land that really has the value, so there’s a judgement to be made about the right sized house for the size of the plot. And Lloyd points out that putting in services costs the same regardless of house size, potentially making it harder to recoup costs on a smaller house.

By-laws can, in some instances, prevent small homes being built. For example, Lloyd explains that some North American municipalities fix minimum square footages to guarantee a minimum tax return.

Balance location with lifestyle

Lloyd recognises the dilemma for self-builders who want to minimise their carbon footprint but can’t afford the expensive land located close to facilities.

Low energy buildings can reduce environmental impact, and changing habits can also mitigate high-energy consumption. Someone Lloyd knows – who lives 9km away from town – cycles, uses a hybrid car when he has to drive, minimises shopping trips and avoids ordering things delivered by truck. Lloyd himself tries to balance his many air miles by cycling and keeping his house at “incredibly low temperatures”.

An independent expert will help you design for sustainability

In a poorly planned house, you pay more for a poor living experience. Lloyd mentions one self-builder who incorrectly fitted insulation and this decision threatened to destroy his house.

For Lloyd, an architect should “help you get to the essentials and put the essentials together in the most efficient, satisfying and beautiful way.” He sees this as directly linked to building sustainably: “The key to sustainability is living with less and the key to living with less is to have it designed properly.”

To choose an architect or builder, Lloyd suggests going to see their work and spending enough time with them to know that you like them, they understand you and that you can understand what they’re saying; clients shouldn’t have to deal with what he calls “Architectese”!

Simplicity should be designed into the house in the first place

So-called “smart homes” are fashionable but Lloyd is wary of unnecessary complexity that adds cost and needs maintenance. “My attitude is I like a dumb home!”, he says, citing the Passivhaus as a good example of this. Using less power means no need for a smart thermostat or a complicated solar panel system connected to the grid. “The house takes care of itself,” he says.

Another reason to keep house design simple is to accommodate changing technology. Low voltage LED bulbs have practically eliminated the problem of lighting load and our technology increasingly runs on low voltage DC wiring. Lloyd envisages future houses solely using DC, so any high voltage electric systems fitted now should be kept accessible.

As different building elements last different lengths of time, Lloyd’s advice is to prepare and keep things simple. “Put as little of it as you need in. Because at some point, you’re going to have to redo it anyway.” Homeowners should be able to access, change or fix any systems in the house:

Element of your property	How long it may last
Land	Forever
Frame of your house	500 years
Cladding	200 years
Windows	100 years
Plumbing	50 years
Electrical	20 years
Mechanical systems	10 years

Fabric first is fairer as well as simpler

Lloyd believes it is unreasonable to simply aim for “net zero carbon”, stating, “We have to use less, period. Even if we’re trying to offset it with energy from sun or wind.” Thus, investment in domestic energy production is another trend that Lloyd mistrusts. Compared to the huge amount of energy used for transport, he describes solar panels on roofs as inconsequential. “We should be going after the big things. And that’s efficiency, not solar panels on the roofs,” he says.

He remarks that policies of domestic generation of electricity disproportionately favour people who have south-facing roofs. Someone without a roof or who can’t afford solar panels will pay more for their electricity, meaning the poor end up paying for the grid. A fairer system in Lloyd’s view would be for everyone to live in houses that are built to a higher standard and use less energy.

Preferred methods of building continue to change

Lloyd teaches a sustainable design course and the content can change every year. Ten years ago, he taught about spray foam that seals and insulates efficiently, but we know now this foam contains unhealthy flame-retardants and some don’t even work below three degrees Celsius. The current insulation trend is for low carbon cellulose, although Lloyd prefers rockwool.

On the subject of new building techniques, Lloyd says, “I’ve become very conservative as I’ve gotten older.” He sees people who want the “latest new thing” demolishing existing houses on highly sought-after plots. This discourages building really good quality houses because “they don’t seem to be building them forever anymore”.

Construction methods can be more suited to specific locations

Building with “brick and block” gives thermal mass, holding heat in the day and releasing it at night. Lloyd says that this principle works well in the high Arizona desert, with hot days and cold nights. In less extreme climates such as the UK it is less effective, and making bricks, concrete and mortar releases a lot of carbon dioxide before construction even begins.

Homes should be comfortable, safe, secure and resilient

A self-build should bring comfort and happiness. Just because it’s environmentally friendly doesn’t mean you have to suffer!

Considering our changing world, Lloyd advises self-builders to prepare for power outages, provide some storage for water and food, and build high enough and not in the middle of a flood plain. He adds that if you have to cycle to get milk, then make sure you can actually do it! “That’s what a home is supposed to be,” he says. “A place of security and comfort. That’s what we should all be striving for.”

Find out more

Visit the website of TreeHugger

Follow Lloyd Alter on Twitter

Transcript

Download a transcript of the interview with Lloyd Alter

Please connect with me

Subscribe, rate and review the podcast in iTunes
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HPH189 : Is an electric car the perfect accompaniment for a low energy home? – with Robert Llewellyn from Fully Charged

September 1, 2017 by Robin Goldberg Leave a Comment

Actor and TV presenter Robert Llewellyn shares his insights about the future of electric cars and energy production.

Image source: www.fullychargedshow.co.uk

Interview with Robert Llewellyn

Robert Llewellyn is an actor and TV presenter, perhaps best known for his role as Kryten on Red Dwarf. His Internet project Fully Charged discusses electric vehicles and renewable energy and is expanding beyond its origins on YouTube.

From petrol-head to EV enthusiast

Robert confesses that he once loved cars with big petrol engines. He experienced his first ride in a Prius back in 2001, but it took time to reconsider what he was interested in and, by default, promoting. He got his first electric vehicle (EV) in 2009.

He acknowledges there have been teething problems along the way – the lack of a charging infrastructure initially didn’t help – and comments that well-funded propaganda from the fossil fuel industry has attempted to hold back development.

However, Robert describes the current global car market as being at its peak in terms of the internal combustion engine, and says the wider transition to electric vehicles is finally gathering pace. Eventually, as with asbestos, tobacco, catalytic converters and leaded petrol, the corporations will change. For now, Renault, Nissan and Tesla are leading the way.

Electric vehicles are part of a bigger revolution

By thinking of an electric car as a battery and computer on wheels, Robert can see even bigger change ahead in the form of vehicle automation. Having experienced the fully autonomous Nissan Leaf, Robert says “When you go in it, you go ‘alright, fair enough. This stuff works.’” The car performed way better than any driver Robert has ever seen. He expects total adoption of automation by the trucking industry within five years.

“They won’t sell models, they’ll sell mobility”

To be a success, electric cars will need to completely change the ownership model. It’s not just oil consumption that is unsustainable. Regardless of whether there’s enough lithium to supply batteries at the rate the car market is growing, there isn’t enough steel, rubber or plastic to make enough cars. As 90% of cars on the road are not in use 90% of the time, selling a service (as opposed to a car) is the direction manufacturers will have to take.

With a self-driving car you could use it as much as you do now without owning it or having it parked outside your house. You wouldn’t even need to charge it, Robert says. “It will be charged when it turns up at your house because it will have charged itself.” Getting a charging point at your house is still worthwhile though, as he adds, “It’s very obvious that it’s not going to happen overnight.” It's likely to be at least 10 years and possibly 20 before we see a significant change in car ownership.

The existing energy production system has hidden costs

When making the TV series ‘How Do They Do It?’, Robert learnt that oil refineries use so much electricity they have to have their own power stations! One in Pembrokeshire uses the same amount of electricity in a year as Coventry and Leicester. Thus, reducing oil refining would enable the greater electricity consumption needed for more electric cars.

This typifies the ‘invisible’ costs of established technology. Petrol stations are considered a normal part of everyday life, therefore the costs aren’t thought about. Yet Robert points out the energy required to supply petrol stations is “catastrophically colossal”.

Energy companies are starting to embrace change

Financial savings are motivating change in the energy industry. Robert gives the example of solar plants. As with coal and nuclear, initial installation is hugely expensive, but once up and running, solar is much cheaper. No fuel costs, no waste management, no storage and no transportation mean massive savings.

In the case of Pacific Edison, the huge American power company who use coal, nuclear and gas plants to generate electricity, “peak management issues” were overloading the grid. They found the cheapest solution was batteries, and this was in fact Tesla’s first multi-megawatt sized grid battery backup.

Renewable energy production is growing globally

It’s encouraging to see the adoption of renewable technologies “at breakneck pace” around the world. Robert points to China where the rate of solar panel and wind turbine installations is “mindboggling”. The UK is gradually producing more renewable energy too: it is actually the biggest offshore wind generating country in the world, taking advantage of the fact that 40% of all the wind in Europe is around the British Isles.

You can run your house off your car and vice versa

Robert says he doesn’t actually see himself as very ‘green’ and even admits to having an Aga! However, he has made gradual changes. He only has electric cars now, and in his house he has improved the insulation, added solar panels, very good windows and a battery on the wall. As a result, his electricity bill has dropped by about 85%.

This form of domestic energy production and storage represent a big threat to the status quo, which he calls massively inefficient: “We have to subsidise all of the fossil fuel plants to a colossal amount of money to keep them running.” Robert’s house is typical of how current technology can be much more efficient, and he describes how some offices in the UK use similar systems and save hundreds of thousands of pounds a year without using any grid electricity.

Tesla Powerwall Battery
Image source: www.inhabitat.com

Local energy production and storage would be more efficient

The big UK energy companies are actually in favour of producing, owning and selling electricity locally as it would save a lot of money. The price of electricity fluctuates from getting paid to use it, to being fantastically expensive. At peak times it is imported at a higher cost than we ever pay for it, by many thousands of percent.

Robert counters recent claims we’d need ten times more electricity if we moved to local production and storage. More intelligent and regular use would avoid the sudden peaks and troughs that are currently so costly and inefficient.

Volume new builds aren’t designed to be energy efficient

Robert doesn’t hold back about the standard of new houses, which he says are “designed and built by morons!” He laments their individual gas boilers, traditional pitched roofs that don’t face south and lack of solar panels.

Robert cites studies showing you can build an efficient house at the cheapest possible cost where the house produces ALL the energy it needs, emphasising, “the people who live in that house will have free heating and lighting for the life of the building.”

Lower energy homes could make a huge difference

By using systems like the ones Robert has, with solar panels, batteries for storage and electric cars, a house can place about 70% less demand on the grid. While this means very little by itself, application on a much larger scale could have a huge environmental impact. A million houses set up in that way would mean closing down two fossil fuel burning power plants.