Tag: eco-architecture

  • HPH285 : Developing plant-based building materials – with Judith Thornton

    HPH285 : Developing plant-based building materials – with Judith Thornton

    Dr Judith Thornton of Aberystwyth University explores how plant-based materials are being used in the building industry, and why they are so important for our future.

    Interview with Judith Thornton

    Judith works within the Department of Biological, Environmental and Rural Sciences at Aberystwyth University. She specialises in projects at the interface of plant science and material function, with her main interest being the use of plants as building materials.

    It’s about more than just building with straw or hempcrete

    Judith says that, historically, because of the finely honed skills required for each approach, there has been a tendency for the natural building industry to divide off into those that build with straw, and those that build with hempcrete. There are of course many other plant types that can be used, depending on the design criteria.

    She explains that we shouldn’t assume that we could build the whole project out of plants either, and nor should we assume that only one plant type will be suitable for each of the different building elements.

    Judith uses walls as an example, where because they provide the dual functions of structure and insulation, it might make sense to separate those elements out and use different materials. She says that otherwise, wherever you’re trying to get a particular product to perform multiple functions, you may well end up with significant compromises.

    Do your research

    Even within strawbale building there are different types of straw that can be used, but Judith says people rarely demand a particular variety, and generally just accept what they’re given.

    “I have yet to meet a strawbale builder who knew what wheat variety was in their building!”

    Historically the tendency is to use wheat straw, within which there are also a number of varieties, but sometimes barley straw is used. Barley straw however is far more prone to rotting than wheat straw, which Judith says should be a bit of a red flag when thinking about building with it.

    In Wales they have tested out building with miscanthus straw, which is a grass that can grow to three metres high, so is much tougher than wheat or barley, and presumably should be more resistant to breaking down.

    Judith says that there tends to be an assumption that strawbale buildings are inherently low energy, but that’s not necessarily the case. If they’re not built properly they can be leaky and rot, not very airtight and have high energy bills in the same way that any other building can.

    There is a lack of aspirational standards

    “We’ve got a regulatory system where we’ve got a fairly ineffectual stick and absolutely no carrot. So, ‘this will comply with building regs’, and people will say that as if that’s a good thing. Well, complying with building regs is as bad as you’re allowed to be before you get prosecuted. That isn’t an aspiration, is it?”

    Judith believes that there is a lack of incentive to build to the Passivhaus standard using low impact materials. She sees it is a combination of lacking aspirational standards and not valuing building enough as a trade, when it’s actually a very skilled profession and a challenging undertaking to build to Passivhaus standards.

    One of the key challenges with Passivhaus is getting the airtightness, and particularly concentrating on the junctions between different materials. It can be as problematic for man-made materials as it is with plant-based materials though. Particular care needs to be taken when designing details at junctions between timber and straw for example, where you might get some shrinkage in the plaster when it’s butted up against a timber frame.

    There would be no sense in trying to build an entirely plant-based building

    Judith thinks it would be ludicrous to even try. Using airtightness tapes as an example, she explains it as the law of diminishing returns: where a small amount of a very high tech materials provides a massive benefit. She says there is no point in obsessing about whether your strawbales are tied with polypropylene string or whether your airtightness membrane has got formaldehyde glue in it.

    “Partly because it makes almost no difference to the total carbon in the building and partly because it’s based on this completely false premise that natural things are safe and manmade things are dangerous. That simply isn’t true. But it’s a very commonly held environmental world view.

    “We do this weird moral balancing in the UK where we say, ‘I’ll fly abroad on holiday, but I did do my plastic recycling’. The whole plastic debate for me is seeking to shift blame to manufacturers as an alternative to examining our own behaviours.

    “It’s not rocket science. As individuals, we need to eat virtually no meat, we need to stop flying on holiday, and we need to insulate our houses.”

    Establish what the building industry needs

    Judith thinks that academics can have a tendency to come up with solutions for problems that don’t necessarily exist. So part of her role is having conversations with the building industry and the plant scientists to work out the areas that need new materials, and how the plant science community can contribute.

    One example is of insulating solid wall houses in Wales and doing that with vapour permeable materials. She says that hemp lime or another material mixed with lime is an excellent way of achieving internal wall insulation whilst minimising risks of interstitial condensation. It then becomes a question of analysing what it is that the plant material is doing in that mixture, seeing whether other plant materials are available, and then carrying out testing.

    Prevent biodegradable building materials from biodegrading!

    There are significant differences between various plant materials in how easily they biodegrade, and this will impact on the longevity of a building. The key thing is to stop moisture from getting in.

    Plants contain variable amounts of silicon and lignin in their cell walls which are protective against being broken down by microorganisms. Even different wheat straw varieties will contain different levels of lignin, which would impact on how quickly an individual piece of straw would rot if it were exposed to moisture.

    So one of the initial decisions to make when planning your build is as to how you plan to deal with moisture, and whether for example you have a vapour-permeable construction where moisture can diffuse into and out of the wall, or whether it will be a completely sealed envelope that relies on mechanical or window opening systems for moisture management.

    We will need to move to a plant-based economy

    Before fossil fuels we had a plant-based economy, and going forward this is something that we will need to revert to once again.

    Judith is involved in the university’s BEACON project, which looks at plants as products and how biorefining can help us move to a natural feedstock-based economy.

    “Everything we use on a day-to-day basis, be it building materials or plastics or everyday items, is going to need to be made out of plants and it’s a question of how we best do that.”

    Online Learning Resources

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  • HPH125 : How to create beautiful designs through constraints – with Andrew Michler

    HPH125 : How to create beautiful designs through constraints – with Andrew Michler

    Author and environmental design consultant Andrew Michler explains how research and constraints have shaped his own Passivhaus self build.

    Interview with Andrew Michler

    Andrew Michler has been living off grid in the Colorado Rocky Mountains for over 20 years. He has had a long interest in sustainable design and has written various blogs on the subject. As well as completing his book ‘Hyperlocalization of Architecture’, he has also built the first certified Passivhaus in Colorado.

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    Research for the book has helped shape the project

    As research for his book looking into how contemporary architecture is designed around deep sustainable goals, Andrew travelled to places where it is being achieved successfully, including Australia, Japan, Spain and Germany.

    Andrew gives the example of Japan which has done an incredible job of integrating small house design into a genuine lifestyle. In the US a ‘tiny house’ is often on wheels and intended for a back yard or a remote off grid plot, whereas in Japan they are deeply connected to the neighbourhoods, which almost become a living room for the families.

    Australia was a highlight for Andrew as he felt that, particularly in Melbourne, there were some exciting and progressive ways of approaching design. One Australian outback house is a remote cabin which shows how kinetic gestures can be used in architecture. Water is collected from the roof and stored, and it has side panels that lift to allow in light and airflow and can be closed to help protect the building from bush fires.

    There is no perfect building

    Instead, Andrew believes that the best we can expect is a really good response to the conditions that the building is in. Every building is unique depending on what its needs are.

    “So there’s great solutions everywhere, but there’s also places where there’s pockets of many, many great solutions together and that people are learning quickly from each other.”

    The solution is already three quarters there

    Andrew says that when an architect comes to a project, there will be so many existing conditions that already the solution is three quarters there.

    These constraints might be in aspects of how the building is sitting in the land, its orientation to the sun, and the scale and budget of the house.

    Choosing to go for the Passivhaus standard or using certain materials will also add to the constraints. A good architect will synthesise those constraints and flourish in the conditions. Two architects might have the same conditions to work with, and yet their different insights and personalities will come up with very different solutions, with those solutions still being just as adept at being viable places to live. While the buildings on the outside may look very different, underneath they are still solving the same problems.

    Big ideas help guide the process, lots of little ideas confuse it

    Andrew believes that when a client has lots of little ideas they can contradict each other and become very expensive and convoluted. However a couple of big ideas can really help to guide the rest of the process. Andrew’s decision not to use foam in his own Passivhaus guided many other decisions going forward.

    Another example he uses is materiality, and the Pacific Northwest which uses a lot of heavy timber. Deciding to use that as the fabric of the building becomes the core driving design element for many other things happening inside the building, such as safety, structure and finishes.

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    The Passivhaus is the second project on the plot

    Andrew’s first project on his current plot was when he moved into the existing 40m² cabin. It was off grid and had a compost system that backed up, plumbing that froze and a solar system that failed. So when he started from scratch with his current project he wanted to take a completely different approach, and Passivhaus was certainly that.

    Living on the site for so many years gave him a real sense of the land, and his research for the book helped him to understand how to approach the problem of integrating a building elegantly into the space. He credits having had a lot of time to make the decisions with being the reason why he is very happy with what has been achieved.

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    He started the current project around 4 years ago and the building is intended as a guest house for family and friends to stay in. It has a timber frame with cellulose and mineral wool insulation. Using a foundations crawl space meant that he didn’t need to use any foams there.

    The project is a month or so away from being completed, and Andrew admits there is a chance that he may end up living there with his current home next door becoming the guest house instead!

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    The building was influenced by the ‘cradle to cradle’ concept

    Living in the mountains, Andrew couldn’t imagine bringing in truckloads of plastics, and explains how he was influenced by the concept of ‘Cradle to Cradle‘, explained in a book by William McDonough and Michael Braungart.

    The things we consume are usually based on a cradle to grave model, where we take it from the environment, synthesise it, consume it and throw it away. Their concept is that you take a material from its raw form and use it, before it can be reclaimed into two forms. If it’s a natural material it can be reinserted into the environment again, or if it’s a metal, plastic or other synthetic material, it can be fully recycled and turned into a new product. They also talk about upcycling where you’re constantly improving the nature of the materials each time you reuse them.

    Constraints and inspiration can go hand in hand

    Andrew was inspired by a Japanese spa in Santa Fe where he noticed the buildings were built around the trees. He decided to make his house sit between the trees, which could also provide shading, so that informed the shape of the space.

    The site is on a slope and has good solar potential. Andrew didn’t want a box shape so took a shed type roof and sliced the front 10 degrees which gave him better solar access. It has a fairly simple form factor with the wedge shape being based on playing with the idea of cabins, and working within the uniquely architectural shaped Hogbacks mountains in the area. The Passivhaus constraint really helped Andrew to guide the process of the design.

    Andrew feels that constraints and inspiration can actually mix together. Sometimes you can be pushing the design to places where it doesn’t seem to naturally go, and that’s when you find out that your constraints aren’t working for you. Those constraints can actually be a way of signalling to you whether the building is being properly designed or not.

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    Find out more

    Visit Andrew Michler’s website

    Follow Andrew on Twitter

    Find out more about ‘Hyperlocalization of Architecture‘

    You can download a free chapter of Andrew’s book

    Learn about Andrew’s new Arch Change podcast

    Transcript

    Download the transcript of the interview with Andrew Michler.

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  • HPH108 : Progressing your house build plans before you have your land – with Kirsty Maguire

    HPH108 : Progressing your house build plans before you have your land – with Kirsty Maguire

    Architect Kirsty Maguire explains what you can be doing to progress your house build plans, before you even have your plot of land.

    Interview with Kirsty Maguire

    A building by Kirsty Maguire, of Kirsty Maguire Architect Ltd, won at the UK Passivhaus Awards in the Best Bespoke Design category, for Hayshed Passivhaus Farmhouse in Ayrshire. Specialising in Passivhaus and eco-architecture she works predominantly on private domestic schemes but also commercially, with charities and the United Nations. Based in Dundee the majority of her projects are in Scotland but her work also takes her to other parts of the world.

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    Hayshed Passivhaus Farmhouse

    Using the example of Ben’s ongoing and so far unsuccessful search for a plot of land for his own self-build, Kirsty explains there are still things you can be doing to put your building project in a good position for the future, even before you have your site.

    A feasibility study will put you in a strong position when bidding for plots of land

    By considering factors such as site constraints and other negatives of an otherwise reasonable plot, Kirsty explains that you might be able to take on a trickier site which other people might be put off by.

    Consider what are you looking for from your new home

    This would be the first thing Kirsty would discuss with a client. Initially it would just be general ideas before sitting down together and going through what a client wants from their home in more detail. She would ask the client to describe a little about their ideas and dreams for it, for them and their family. They would cover how they would like to use the house, the atmosphere, the relationship with the landscape, how the house might be used differently as children grow up and eventually move away, or perhaps considering reducing energy bills if the client is downsizing.

    At this stage it’s not necessarily about coming up with solutions or design.

    As this conversation develops, Kirsty is able to build up a good understanding of the client’s needs and get into the detail of what makes them tick.

    Initial sketches are produced

    The initial questions stage turns into more of an ongoing dialogue and Kirsty is able to start working on some sketches. Ideally there would be a plot at this stage, but even without it Kirsty could begin developing conceptual sketches looking at relationships of spaces in a home, the atmosphere and the feeling. Kirsty stresses that an important part of designing a home is its response to the landscape so without the land there’s only so far this stage can go.

    As part of the discussion process Kirsty would ask about the client’s ethos towards Passivhaus, eco-materials, energy and comfort. It is helpful for her to understand these for each of the members of the family in case they have differing priorities and ideas!

    A client scrapbook of ideas can also be a benefit to the designer. Kirsty says it isn’t essential but it certainly does help and she would encourage a client to bring it to the meetings if they have one. It can help with some of the less tangible elements of designing a home, such as acoustics and atmosphere, and what makes something really feel like a home.

    Kirsty also finds it can be helpful to understand a client’s current home and therefore how that’s informing their reactions to their new house.

    Understanding the budget

    As part of the feasibility stage, it is important to understand from the outset what the available budget for the project will be. While Kirsty is not a cost expert, she can use experience from other projects to establish roughly what might be feasible to ensure that time and emotional effort in the project are not wasted!

    Looking into the budget, Kirsty can help to establish what amount is available for construction costs, what might be needed to set aside for fees and expenses for the plot, and also suggest the client gets an idea of how much it would be to bring services onto the site. That can then be broken down into what’s available for the build itself and apply a pounds per m² rate, based partly on looking at what was appropriate locally.

    Particularly if there is a site already, they might sit down with a quantity surveyor to work out two or three cost options based on the budget. This helps people prioritise what they would like to do, and indeed whether they are still happy to progress.

    There are other site specific considerations

    Other things which can only really be considered once the plot is known, are things like planning restrictions and whether it is in a conservation area. Kirsty also talks about access to the site, ie, it could be a great plot but there might be difficulty getting cars onto the site. She also explains that some planning policies require your garden to be a certain percentage of the plot.

    “So if you know that 60% of your ground has to be garden you’ve got a house of a certain size you need parking and access then that starts to dictate the size of plot that you need.”

    The feasibility study is a worthwhile process, whether or not you have a plot

    “In terms of the feasibility study, I think it’s great to do that whether you have a plot or not. I think it sets out the basis of the entire project so that people can really enjoy the design stage, knowing that some of the absolutely critical elements such as budget, planning, some of the if you like drier sides of it but essential to the success of a project, are in place and are addressed right from the start so it creates a great foundation for everything from there on in.”

    Hayshed Passivhaus Farmhouse

    While not directly related to the main subject of the podcast, Ben didn’t want to pass up the chance of asking Kirsty about her award winning Hayshed Passivhaus Farmhouse project!

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    The client, Duncan, had a plot on his farm land in a stunning location with the building being designed to look out over Arran, Ailsa Craig and the sea over the west coast.

    He already had outline planning permission when he came to Kirsty. Although a farmer he is also a contractor himself, and had a strong vision and artistic ideas about what he would like on the site, and was very interested in low energy and Passivhaus buildings. Being on the edge of a cluster of farm buildings, they followed the idea of using traditional buildings and landscape to influence modern design and decided to expand the cluster in a more vernacular way by adding a building which looked much more like the traditional hay sheds.

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    Being one of the first Passivhaus buildings in Scotland had its challenges but the enthusiasm of Kirsty, Duncan and the contractor carried the project through successfully. It was a very collaborative project and for all the members of the team there was a can-do attitude. “It was more about how do we go to the next stage and how do we do that the best way possible.”

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    Find out more

    Kirsty Maguire Architects

    Hayshed Passivhaus – Winner of the Bespoke Project Design category at the UK Passivhaus Awards

    Transcript

    Download a transcript of the interview with Kirsty Maguire

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