Tag: design

  • HPH347: Common pitfalls to avoid when building a house  – with Amelia Lee

    HPH347: Common pitfalls to avoid when building a house – with Amelia Lee

    Amelia Lee from Undercover Architect shares some common themes that tend to crop up on owner-builder projects (particularly with people who are doing this for the first time) and explains how they can be avoided by creating a clear foundation of your values and project intentions.

    Interview with Amelia Lee

    This is the second of Ben Adam-Smith’s interviews from his time in Australia and in this episode we have a chat Amelia Lee from Undercover Architect. Amelia has been an architect for 30 years and in that time worked on wide range of different projects, as well as three of her own renovations. 10 years ago she decided that she wanted to expand her reach to help more people and left her practice to start Undercover Architect as a platform to provide educational resources that help inform and empower new owner-builders (‘self-builders’ in the UK). In that time she has built a community of confident owner-builders that are well resourced to advocate for sustainable building practices and create homes that help them live well.

    In this chat, Amelia and Ben compare their experiences of working with people who want to build new or renovate existing dwellings, and identify the most common challenges that occur.

    Don’t rush the planing stages!

    Many people focus on the build stage of a project, but there are 3 crucial stages before you get there which will determine the success of your build.

    There a 4 phases to any project:

    1. Pre-design
    2. Design
    3. Pre-build
    4. Build

    Amelia emphasises that the more work you can do in those first three phases to anticipate and manage the potential risks, the more likely your build will go according to plan. Any changes or delays that happen during the build stage will be very costly so having a good plan in place will help your team work as efficiently as possible.

    Pre-design

    The pre-design stage forms the background research for your project. You will need to work out your local planning regulations, the limitations of your site and any council requirements that will need to be considered.

    Lots of people turn to neighbours or friends for advice on these things and then call it a day, but it is very important that you work out the bigger picture of your construction climate. Amelia explains that some councils in Australia allow owner-builders to fast track their projects through planning if their design meets certain requirements, so knowing these things will help you mould your building design to receive local support and avoid potential obstacles.

    “It’s like playing any game, when you find out the rules first, you can create the greatest strategy in order to be able to be most expeditious and efficient in how you do things.”

    Get to know your budget

    This stage is also where you figure out your budget. The budget must be revisited at every stage, but it is most important to start with a good understanding of what you have available so that anything you take on from this point will be working in accordance with this.

    Establish your values

    You also need to work out what you want to achieve and establish your values that will create the foundations of your design. What are your big picture goals? How do you want your house to work for you?

    “You will need to make something like 15,000 decisions. This gives you some way to anchor yourself to and check against to guide the decision making overall so you don’t get lost in the process.”

    Design

    The design phase is about figuring out how these spaces, places and rooms are going to work best for you. How do you need the house to function best for you?

    Your current home can tell you a lot about your future one

    You can begin to work this out by analysing your current home, looking at which bits work well for you – maybe you like how your kitchen is close to the front door so you can unpack your shopping easily or that your living room faces south so is always full of light. But also working out which parts don’t work for you, like the separate dingy dining room that becomes a dumping ground. Knowing how you want to use a space will help you create a design that works best for you.

    The orientation of your site is important to know

    Amelia explains that understanding the orientation of your site and working out how your house could sit best within it will allow you to optimise the liveability. By considering the positioning, the climate, neighbouring properties, surroundings and even a nice view or feature that you would like to showcase, you begin to create signposts for your design. Knowing these factors can also help to increase energy efficiency by utilising solar gains for heating or natural shading features that can help with cooling.

    Explore the different construction methods available

    In this phase it is also really important to explore all the construction and design options out there so you can pick the one that best meets the requirements you outlined in the pre-design stage. It can be easy to fall into the trap of following the standard or most common construction path, but this might not be the best path for you and your build.

    Always keep one eye on your budget to make sure you are still on track!

    The design stage will start giving you an idea of the cost of your project, make sure you are sticking to your budget and checking that you can afford what you are planning.

    “Your budget is going to dictate the size of your house right from the outset and the level of finish that you can expect. If it’s not going to be enough, then you need to figure out if you need to find more money? Or do you have to radically reduce the size of our property before we begin?”

    Pre-build

    The Pre-build phase is all about formulating your practical construction plan and assembling your team. This will include looking at your building approvals, finalising your building materials and construction methods and collating all of your documentation. In this section, you will need to keep referring to the values you established right at the beginning and make sure you are making decisions that are in alignment with those.

    Create a clear plan for your build

    This stage should focus on formulating a comprehensive build plan with detailed drawings and specifications that will hopefully reduce the need for you to make quick and maybe uniformed decisions under pressure.

    “Drawings, specifications, those kinds of things are the language with which the construction industry understands how things get done, and so the more you can put into that information is super important.”

    Test your energy efficiency now

    Make sure you spend some time testing the energy efficiency of your design, pre-build. PHPP will be very useful at this stage to test the functionality and provide a picture of the energy movement in your design before you have it set in stone… or timber.

    Assemble your dream team

    Choosing your team is very important – trust your gut and pick people who align with your values or have experience in what you are aiming to achieve. Remember, these people will be in your life for anywhere from a few months to a few years!

    Build

    This stage will involve spending the most money and watching the physical progress of your build but if you have completed the first three stages well, this should go pretty smoothly. Of course, there will always be a few hiccups along the way which you can’t predict, but the structure and values that you have created should help you navigate these with ease.

    Key things to remember here are to be as present as possible and make sure that you are referring back to your values when obstacles arise.

    Work out an accurate budget and stick to it

    A clear and realistic budget is very important in a build project. Amelia explains that in her 30 year career most of her clients have a budget that is 50 – 75% of where it needs to be to match their initial aspirations for their home. This figure has tracked consistently regardless of price rises in construction due to inflation, covid, etc. Being realistic about what you can get for your money and making sure you are including all costs (such as planning application fees, landscaping costs, internal finishes, etc) in your budget is crucial.

    Your team can help you predict your costs

    It can be a good idea to work with someone who has experience in the specifics of your build, so you know that they have some knowledge of how much it is likely to cost. It can be useful to include your builder in the design process as a consultant, in order to get a realistic idea of the cost whilst you still have time to amend designs.

    If you are working with someone who isn’t experienced with Passivhaus or sustainable building, Amelia recommends building in a 20-30% contingency into the budget as the cost of certain processes will probably be more than they have accounted for.

    “Your builder can actually be providing input on cost and buildability from the outset, and that includes at that very first meeting, when you say my budget is x, and I want to do y. The builder and the architect can sit there and say, well, from our previous projects, we know that the y that you’re asking for, it traditionally will cost this amount per square metre based on these kinds of finishes. Or if you want to do these kinds of finishes, it’ll cost this amount.”

    Don’t feel the need to max out your budget

    Owner-builders often push their budgets to the absolute max and this trend seems to be regardless of starting budget. Like many things in life, the bigger the budget, the more we try and do, which is consistently meaning people take it right up to the limit. In the planning stages, work out a realistic budget if you can and if you don’t have enough, work out if you can downsize the footprint or some way to reduce the cost.

    Amelia does point out that there are occasions where adding an extra bedroom to increase the property value, will also increase the build costs but may allow you to secure a higher loan to build with. Because of the way the housing market and financial services work, there might be creative solutions to be found but definitely try and work out what’s best for you.

    “My experience with homeowners doing their own homes, is that they will spend the most amount of money that they can without financially crippling themselves.”

    Your project starts with you

    Many people think that their project will begin when they have hired an architect or designer and therefore might put off doing so until they are ‘ready’. Amelia highlights that there are several steps you can take prior to this which include exploring how you want your house to function and establishing the values of your project. This may need to happen before you hire anyone as these will dictate who you are looking for, in regards to their experience, ethos and general practice.

    Amelia notes that it is crucial to be asking the right questions when meeting potential architects and designers. Rather than attempting to gain as much free information about your project as possible, try to get to know as much as you can about them and their practices.

    “Who is this person? What are they like? How do they run their business? How professional are they? What do they communicate like? Are you going to be able to handle having this person in your life for the next 12 months to two years? Are you aligned in the goals you operate your life with? And how are they going to best support you in navigating something you’ve never done before?”

    Don’t fall into the trap of the status quo

    It can often feel like the standard formula for house building is to prioritise size over quality. Amelia explains that when her clients spend time thinking frankly about who they are and how they want to live in their future home, they end up realising that they need less space than they initially thought. As a result they get their rooms and budgets working far harder for them and it sets them up to find the right people to support them in that journey as well.

    “One of my big, hairy, audacious goals is for everybody to build a site specific response. It’s how you create climate resilience, climate sensitivity, you improve the energy efficiency of your home, you lower its energy, heating and cooling costs, and most of all, you actually make it a better home to live in for yourself personally. The thing is that most of our housing stock doesn’t do this, so most people are living without that experience on a day to day basis. They just don’t understand from a firsthand point of view, the incredible difference it makes the everyday life to live in a house that works for your site.”

    Creating a design that maximises these things will help you follow the principles of Sarah Susanka and utilise every space in your house, everyday.

    Sustainability must be a foundational theme for it to be effective

    Sticking to your sustainable goals in an industry that has not embraced them yet can be quite challenging. It is all too common for it to fall by the wayside when clients hit a professional in the industry who says sustainability will just cost you more. It’s not the job of your professional to tell you it’s too expensive. It’s up to them to tell you what your choices will mean and cost, and you to decide what your priorities and values are. By assembling the right team and putting in the work in the early stages, you will be much more likely to succeed with your sustainability goals.

    Sustainability Bolt-ons

    Too often in house building we see sustainability advertised as a bolt on service. Amelia views this approach as a form of greenwashing in the industry, as it creates a false economy by giving people a free pass to design oversized and inefficient houses that are perceived as sustainable because they have solar panels on the roof.

    “We’re all living on a planet and we know our choices, impact everyone in everything that we do. Building a house is no different and you’re embedding those choices for a very long time.”

    It is important to view sustainability as a foundational concept in your design, so that the entire structure can be created with this in mind. It is crucial to not get distracted from this goal because the end product will not only improve the sustainability of your home, but also improve the way you get to live in it.

    “I feel that sustainability actually starts and is most heavily impacted in the decisions that you make before you begin, about the size of the project that you’re going to build and in how you’re going to make it suit its climate. If you can get those two things right, you will be 80% of the way there before you even start worrying about solar power”

    Don’t outsource your agency

    Amelia’s closing reflections highlight the importance of being an informed and confident owner-builder:

    “I really encourage people to not to not outsource their agency. At the end of the day, it’s your home, and so no one’s going to care as much about it as you do. I want you to know that you unlock what is possible for your future home because it’s your decisions, your money, your vision, that’s the reason this whole project is happening. So it’s really important that you get yourself educated and informed before you begin.”

    The journey can be a great opportunity for personal growth:

    “I love with empowering homeowners, particularly women who are stepping into a male dominated industry. In the renovation and construction industry, women are making 80% of the purchasing decisions and yet they’re dealing with mostly men as they do this. I see them get to the end of their project, and they turn around and look at what they’ve been able to accomplish for their family and consider what else they are capable of? I just get really excited about what it unlocks for people in terms of readjusting their expectations of themselves as well.”

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  • HPH258 : Using a turn-key design and build company to deliver an ecological home – with Neil Sutherland

    HPH258 : Using a turn-key design and build company to deliver an ecological home – with Neil Sutherland

    Neil Sutherland explains how using a design, manufacture and delivery company can give you a better quality of construction.

    Interview with Neil Sutherland

    Neil didn’t take a conventional route into architecture. After leaving school at 16 he undertook a technical apprenticeship with an engineering company for a few years. It was only after finishing his apprenticeship and going travelling around Europe that the wonders of Florence turned his head to architecture. He returned to Scotland, completed his degree and promptly set up his own practice, MAKAR, an architect-led, ecological design and build company.

    Makar House, Kinloss, Morayshire, Scotland.

    A unique entity focused on the delivery of great places

    Neil summarises MAKAR as not being an architectural practice, builder or manufacturer, but a combination of the three.

    His first ten years in business were spent working out how best to develop and design buildings, and was disappointed by the options available to him on the delivery side of things.

    When he moved to a live on a farm with his family around 16 years ago, he had land available where he was able to develop and grow his business to include the manufacturing. He now has a couple of large workshops and employs close to 50 people.

    Their unique offering means they are currently working at capacity producing homes mostly in the Scottish Highlands, but are also looking to mainstream what they do and make it more widely available.

    Certainties can be provided to clients

    Neil is able to offer certainties to clients, around design, programme, workmanship and cost. With the alternative being to work with a number of consultants and a builder, he says it can be difficult to find a company who are motivated by ecological progressive areas of working who are able to take on an architect’s idea and make it work.

    “As I’ve learnt over the years, the intention is the first stage but one has to figure out how to get things delivered. The execution of things is perhaps far more challenging than coming up with bright ideas.”

    There are three aspects to a successful project outcome

    The first is having a thorough understanding of the client’s brief. This involves taking time to sit down with them and really understand their needs.

    The second aspect is the site analysis. Every site will have constraints and opportunities, but there’s always context; things to respond to, things you want to exemplify or even perhaps reduce.

    The third element is a flexible delivery approach.

    Neil believes as long as none of these three aspects are compromised, as he suggests happens in the standard approach to the design and delivery of housing, the customer will end up with a wonderful outcome.

    Scotland has an abundance of quality timber

    Scotland’s forestry cover has an unusual species mix, dominated by pine, fir, larch and spruce.

    Neil’s company is looking to develop progressive ways of utilising that timber, from a structural perspective right through to insulation. They use the common characteristics of those species for different applications and avoid using chemical treatments wherever possible.

    Spruce and Scots pine for example can be used for the carcassing of a panel type construction, Douglas Fir for large section exposed beams and posts, and larch is used extensively on the external applications of buildings, such as cladding and decking.

    “There’s enough there to do everything we want to do, to do it without chemical treatments, and to work in anticipation of the circular economy, in anticipation of the idea that timber buildings are uniquely adaptable in the sense that they are repairable and you can change them. You can take them apart and put them back together again.”

    They work closely with sawmills

    In other parts of the world, and particularly in Europe there are many small to medium sized mills, which relate to their local resource and how it’s used. In Scotland, many of the small to medium sized mills haven’t survived so MAKAR tend to use a few large sawmills along with a small number of smaller ones.

    Rather than the usual design approach of designing something and then looking for what you’re going to use to build it, in normal situations they would look at the resource available and respond to that, buying the timber directly from the sawmill.

    They use a lean process

    Lean process improvement is largely used in manufacturing to improve efficiency and reduce waste.

    Neil’s interpretation is that it’s about people; what motivates them to do things carefully, and with a lot of attention to detail, getting things right the first time and really enjoying what they’re doing.

    “It’s when you go about making things, when you connect the theory and practice of things together, you get a third thing that comes out which is a kind of tangible, pragmatic capability which is not held up as important as it is, in actual fact.”

    And Neil believes it is the people who are making things who are the best people to ask about how to improve the process.

    An ecological approach to engaging with the world

    MAKAR use the term ‘meaningful work’ to explain their working methods. It’s about their work being respectful to everyone involved, and respectful to things beyond themselves.

    “Every time we build a house, we know that it’s going to impact on people’s lives in a very profound manner. MAKAR exists because we believe that great buildings and places change people’s lives.”

    The aim is for quality, not speed

    The main constraint that MAKAR have with building the houses is the transportation. Their standard panel size is around three metres wide so that it can be transported by road relatively easily.

    Such off-site construction methods may be more expensive than other alternatives, but they will be better and more consistently made and speed and cost reductions will come about over time.

    The pieces of the house are made in sequence: first the floor, wall and roof panels, then the post and beam elements and finally the modular elements which are the parts of the house that have the plumbing, ventilation and electrics in them.

    They try and do as much of the servicing within the modules at their workshop as possible as they believe this to have the best outcomes.

    “But the future is about having less and less equipment, more and more fabric first, more and more simplicity around buildings really. But use the word optimisations. So, what equipment you do have you have to make sure it is working well and it’s optimised.“

    Find out more

    Visit the website of MAKAR

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  • HPH219 : Why landscaping plans always get put on hold – with Ben Adam-Smith

    HPH219 : Why landscaping plans always get put on hold – with Ben Adam-Smith

    Ben Adam-Smith looks at why self build projects often eat into the budget set aside for landscaping. This includes Ben’s new home where initial plans have been put on hold!

    What we wanted from the garden

    Kay and I have lived in towns most of our adult life and so our new home will mark a big change for us.

    When you live in a town the gardens are nothing much to shout about. Now we’ll be maintaining half an acre.

    Luckily, we do love gardening and are excited about starting with a blank canvas.

    Our brief includes:

    • An area to entertain guests
    • A vegetable patch
    • A children’s play area

    We also wanted some parts of the garden to be low maintenance (e.g. shrubs and wild flowers).

    Our contract includes simple landscaping

    Although we had to take out a few items (or reduce the specification in some instances) the contractor will still put in the driveway and patio, as well as all the fences. They will also level the site.

    Then we’re on our own!

    Should we hire a garden designer?

    Consultants generally bring a lot of value to the table . . . but you can get yourself carried away (planning consultants, quantity surveyors, building services engineers, project managers, lighting designers, interior designers, etc.).

    There are two key reasons we hired a garden designer. One is that we got inspired. When checking out Colin Heal’s zero carbon house we saw the garden . . . and it looked impressive.

    Colin recommend Jackie Gough Garden Design and we got in touch.

    Another reason we were keen to get a garden design was in case we could be implementing it with the rest of the contract – because the excavators are already on site – and therefore saving ourselves money.

    The house is always the priority

    Everybody wants an amazing garden . . . but it must come after the house is finished.

    So if the budget runs away a little, it’s normally the things at the end that suffer.

    Although our contract sum hasn’t shifted much since the value engineering stage there have been a couple of unexpected costs.

    For example we opted to have a certain amount of spoil (taken from the patio and driveway) removed from site.

    Build cost doesn’t include soft furnishings!

    It sounds a silly thing to say but you can’t live comfortably in your house without furniture and curtains, etc.

    This would never be part of the build cost, so it is possible it doesn’t feature in your cost calculations at all (unless you’re very thorough).

    Again, we slipped up here.

    And as you get towards the end of a self build you are definitely keen to stop large sums of money disappearing from your bank account! We will be taking a breather before continuing with our garden plans.

    Find out more

    Jackie Gough Garden Design

    Allan Corfield’s blog on common self build mistakes (including poor budgeting!)

    Please connect with me

  • HPH198 : Creating an interior that works perfectly with the exterior – with Emily Bizley

    HPH198 : Creating an interior that works perfectly with the exterior – with Emily Bizley

    Interior designer Emily Bizley explains how she and her husband, an architect, co-designed their RIBA shortlisted self-build home.

    Interview with Emily Bizley

    Emily wanted to be an interior designer since she was very small, but ended up studying French and Psychology at university before deciding to go to Chelsea Art College to pursue her childhood dream. After gaining more qualifications, Emily worked for architects to get some experience. From there she went to work for an interior designer in London, and now has her own practice based in Somerset.

    The interior shouldn’t be an afterthought

    If design decisions aren’t guided by “a bigger idea about what the building is supposed to be”, there’s a risk that the interior and exterior won’t be coherent. Emily explains they wanted to build a timber house that was sympathetic to and connected with the surrounding countryside and nearby agricultural buildings.

    She says she’s visited a lot of timber clad houses that look fabulous on the outside but whose interiors are “a crashing disappointment because it’s all white plasterboard with twinkly down lighters and absolutely no atmosphere.” She finds it surprising these houses aren’t made of wood both inside and out, like those she and her husband visited in Switzerland.

    Ask yourself how you want each room to feel

    Emily and her husband both did a lot of sketching for their self-build. They focused much more on how they wanted a room to feel, rather than how it would look. Sketches of room scenes helped them imagine their lives in the new house and captured the desired atmosphere.

    Design the interior and exterior in partnership with one another

    Focusing on how they wanted the kitchen to feel took them through a series of questions; the answers defined the design inside and out. For example, thinking about what they wanted to look at while eating breakfast, and where the sun would be coming in, suggested the size and position of the windows. But then they had to consider how this would affect the elevation outside, and the design needed tweaking to get to the point where it worked inside and out.

    Emily says they decided to have their sitting room separate to (but adjoining) the open plan kitchen dining area. They designed this room to be a half level up with the ceiling following the roofline down, making it a cosy snug. She explains the materials they used are the same, it’s just that the space has been slightly manipulated to create a different atmosphere.

    Think about how natural light will reach all the spaces

    Emily’s house has light from all sides. She says it is really important to ensure that the darkest parts of the house still get natural light. They incorporated skylights into the design for their self-build, to avoid any “dark dingy corners”.

    Create interesting relationships between spaces, inside and out

    The sloping site presented challenges. Emily explains, “A developer house would just be plonked on stilts at the front to make the site flat, but then you lose the relationship to the garden”, adding, “We didn’t want that feeling of being on the upper floor and feeling really disconnected from the garden.” Instead, they dug down to enable the house to sit back in the hillside and decided to go for an upside down layout, taking care to create access to the garden from different places.

    Their self-build uses internal glazing to create interesting relationships within the house – the rooms aren’t “a series of boxes with doors”. Emily says that internal glazing was something she and her husband had always liked about French houses and had been on their list of things they’d wanted to incorporate into their designs.

    Be generous with some spaces to create the right atmosphere

    Sometimes it’s worth sacrificing a bit of space to be generous elsewhere. In the case of Emily’s self-build, the design for the lower floor incorporated a wider hallway. She doesn’t see this as wasted space as it avoids the feeling of going downstairs into a rabbit warren of bedrooms.

    Restrict the palette to avoid a “mishmash of everything”

    There are a lot of options when it comes to interior finishes. Emily says they were quite disciplined in having just a few ideas for their interior and carrying those through with some rigour. She describes the house as having “two quite distinct overall sorts of atmosphere”. The rooms are either lined with oak or painted plywood; no walls are just plastered. And some of the ceilings are crafted from rough-sawn softwood and painted.

    A joiner made their bespoke kitchen and he sourced the wood from the same supplier used for oak lining the walls. Emily comments, “The kitchen is intended to look like the walls, and blend in.”

    Think about furniture early on as it impacts the design

    Although Emily believes it’s good to let ideas develop and to be able to respond in an organic way, it’s also important to have an overall idea when it comes to furniture. She uses their veranda as an example, explaining that it is pretty much square in plan, but as the house is not a square box the corner of the deck intentionally gets wider to accommodate the table and chairs.

    It also helps to know what you’re planning to do furniture-wise to produce electrical plans. For example, do you want to sit in a particular well-lit corner and read? The position of an extractor fan in the kitchen is another important consideration – what type of cooking do you tend to do, and does that require extraction directly above the hob?

    Factor in storage during the design stage

    Emily comments, “If we did decide to put everything away, there would be a space for everything.” The big store at the back houses the plant, store and utility rooms. They also incorporated really big wardrobes into the kids’ bedrooms and Emily and her husband have a lot of storage space in their dressing room.

    Other tips for self-builders

    • Collate images of anything you really like into a folder
    • Have some clear ideas and follow them through – don’t get distracted
    • Think about how materials and texture can achieve the atmosphere you want 

    Watch a 2-minute video about their home

    Find out more

    Visit the website of Emily Bizley Interior Design

    Follow Emily Bizley on Instagram

    Visit the website of Prewitt Bizley Architects

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    Download a transcript of the interview with Emily Bizley

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  • HPH171 : An eco interior designer in the home – with Elina Grigoriou

    HPH171 : An eco interior designer in the home – with Elina Grigoriou

    Elina Grigoriou from Grigoriou Interiors talks about design, wellbeing and sustainability, and the role of interior designers.

    Interview with Elina

    Elina and her sister founded Grigoriou Interiors in 2010. Their vision is “to create interior spaces of beauty and function that look after people and our planet”. A strong theme of sustainability is used in their branding and website, to educate people on the concept of sustainable interiors and to attract like-minded clients.

    Interior design is about understanding how space affects you

    Interior design involves looking specifically at the spaces that fall within the floor slab, ceiling slab and external walls. Elina explains: “From the moment you step into a building until you come back out of it, everything you touch, everywhere you interact within that space is forming the interior and the way that has been intentionally designed to support your life.”

    Design can influence how well you sleep or eat

    Wellbeing is a big issue right now, and Elina finds that a lot of people don’t understand the effect their space has on them. It is often only when they start talking about how they behave in an interior that they slowly start to realise how the space is informing some of their behaviours, or may be stopping them from behaving in a certain way.

    For example, the shape of a table will affect how people communicate. Are you sitting opposite each other at a square or rectangular table, or around one with no sides? Elina suggests that dinner with your in-laws might be nicer at a round table!

    And patterns tend to help people to relax. Elina explains that we find them reassuring because we trust things that are repeated. Movement is associated with asymmetry, whereas a balanced style promotes calmness.

    An interior designer can help create a living environment

    There are different motivations for hiring an interior designer. Elina says some people feel they should hire one because they’re ‘supposed to’ or to ‘keep up with the Joneses’, adding the image-conscious association often linked with interior design is not helpful.

    A better reason would be someone wanting to create a home that feels like a home, where they can entertain guests, work, and allow the space to affect them in a positive way.

    Elina guides clients through a decision-making process to make choices they will be happy with. Interiors contribute to the relationships people have in their homes, and she wants that contribution to be a positive one.

    We can better understand and re-use existing buildings

    One step is to establish whether the original architecture assumed a particular ‘user journey’ from the moment you walk through the door. What kind of volumes and spatial proportions did the designer envisage for the interior spaces? If this hasn’t been considered, you can get quite structural: reforming spaces and opening or closing up floors.

    Self-builds can get it right from the beginning

    Unlike commercial and residential developments, which tend to be quite ‘vanilla’, the self-build ethos creates an opportunity to engage in the design process and make a home fit for purpose.

    With new builds, Elina would recommend involving an interior designer at the earlier stages, when forming the architecture and considering what kind of lifestyle you want to enjoy in the building. That’s the time to start discussing the internal spaces, views, etc.

    A detailed brief gives a clear basis to start from        

    Elina recalls a previous project where the husband wanted to have lovely conversations with his daughter in the living room. She comments that this is the kind of brief they can respond to and believes this is the right kind of objective for a home.

    Grigoriou Interiors create what they call a user profile. Every question they ask of each client in the design process goes back to this profile, gradually informing how the space needs to be and documenting where they started from and why. Typical questions might include:

    • What’s the geographical location like?
    • What’s the typical climate?
    • Is it an existing or new building?
    • How many bedrooms do you want?
    • Do you entertain at home?
    • Do you work out at home?
    • Do you like lots of fresh air in your interior?
    • Do you like a lot of natural daylight coming in?
    • How are you going to clean it?
    • How long do you want to live there?
    • Will you be there throughout the year?
    • Do you want to rent it out?

    Shorter purchasing cycles mean greater impact on the environment

    Architects consider lifespans of 20-30 years or more, and these timeframes inform product and material decisions. However the average interior lifecycle is just five to ten years.

    Elina says it falls to designers to ensure that what they specify is sustainable in the first place. Grigoriou Interiors talk with their clients to understand where the environmental impacts are going to happen from the client’s own behaviour in a space. For example, working from home may mean longer periods of heating and lighting. Establishing this in the brief, at the start, allows them to create a sustainable interior and suggest certain materials and layouts based on how the space will be used.

    Beauty is very important when it comes to interiors

    Elina explains that the perception of beauty is personal to everyone’s individual conditions at a point in time. So she has to work with clients to understand what they consider beautiful and what kind of look they want. Something minimalist? Or a bit of texture? Do they have some lovely crafts, perhaps from their travels?

    Existing furniture may not be suitable for your new home

    If you are moving to a different sized house, Elina suggests that some of the furniture you currently own – such as the dining table or soft seating – may be too big or small for the new interiors. Similar spaces may allow you to re-use existing furniture but it’s worth questioning which pieces may need to be recycled.

    A new build, especially a passivhaus, presents an opportunity to minimise or even eliminate the introduction of pollutants. Emissions from materials and furniture will affect the quality of air inside the house so, for example, an existing sofa will likely have chemical foams. Elina is excited to see alternatives such as coconut fillers becoming available.

    Deciding not to re-use doesn’t mean throwing away

    If you can’t use some or all of your existing furniture, there are plenty of quick and easy ways to pass it on before moving. Freecycle and Preloved are just two websites and Elina says more options are emerging all the time.

    Interior design advice doesn’t have to cost the earth

    Even with a limited budget, it’s still possible to engage the services of an interior designer. The key is bringing them in at the right time to get their feedback on architectural proposals. Elina describes it as having them dip in for a day or two to review the proposals, give you some feedback and possibly pose some questions.

     

    Find out more

    Visit the website of Elina Grigoriou

    Follow Grigoriou Interiors on Twitter

    Transcript

    Download a transcript of the interview with Elina Grigoriou

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  • HPH168 : An example of how much it costs to hire an architect – with Allan Corfield

    HPH168 : An example of how much it costs to hire an architect – with Allan Corfield

    Allan Corfield from Allan Corfield Architects (ACA) explains how his approach to services and fees differs from traditional architecture practices in the UK. He describes the staged services his practice offers, giving indicative costs.

    Interview with Allan Corfield

    Allan Corfield is an architect who aims to educate and help homeowners deliver their one-off dream home. He’s spent the last eight years building his practice based in Scotland focusing on self-builds. Their location isn’t an obstacle to working further afield as Allan factors into each fee proposal two or three face-to-face visits during each stage. Currently working on their 250th project, they now operate across the UK and are involved in projects with construction costs ranging from £70,000 to £2 million.

    Percentage-based fees will increase if construction costs go up

    Allan’s approach is different to the majority of traditional architecture practices in the UK who work on a percentage basis, charging 7-10% of the construction cost for their services. Allan prefers his approach because self-builds have a set budget and if you don’t know what your architect’s fee is going to be, you can’t plan ahead. He also argues there’s no incentive for an architect to save you money if their fee will drop in line with reduced construction costs.

    As can be seen on the ACA website, Allan’s practice splits the build process into different stages which are priced separately as fixed costs. This allows self-builders to budget for architectural fees knowing they won’t change as the project goes on. At the end of each stage, ACA asks if clients are happy to go ahead with the next one. Allan recognises that a self-builder may run out of money or there may be a change in family circumstances meaning they can’t commit and finish their project. So his approach offers flexibility and the ability to stop if necessary.

    An example of ACA’s fees based on an estimated construction cost of £250,000:

    StageFixed Cost (excl. VAT)% of Total Fee
    Initial Design Development£5,00025%
    Planning Submission£4,00020%
    Detailed Design Development£6,00030%
    Production Information£4,00020%
    On-site Supervision£250 per visit (optional)5%

    A detailed project brief is essential for the design stage

    Allan explains, “You want to get a design that you love, so that’s our initial design stage”. The most important thing for a client to get right is the project brief. ACA encourage clients to think about how they’ll use their buildings, e.g. an outdoors family may benefit from a wet room attached to their garage. Clients considering details like these help the architect design a home, not a house. ACA ask clients to create lots of different Pinterest boards, including a dislike board, as this helps them gauge what clients like aesthetically.

    ACA use the client’s project brief to propose a couple of initial design options, usually two variations on a theme. Often a third option evolves by combining preferred elements from the first two, which is then typically revised a couple of times until the client’s happy. Their design service ranges from 2-D drawings for lower budget projects to full 3-D modelling where clients can ‘walk around’ their house.

    The first stage also includes a cost check to ensure the design is affordable and self-build elements are achievable. And if there are any contentious elements that could affect planning permission, for example rural location, they make a pre-application enquiry or get a planning consultant in during the design stage.

    Make neighbours and planners feel they’re part of the process

    The cost of the planning stage may seem high but a lot of work goes into getting a planning application approved. Allan explains their high success rate is due to the amount of supporting information they provide, saying, “We’re very good I think at getting a lot more of our clients’ desires through the planning process than other practices because we give really good rendered images.” The thinking behind their design is explained in detail using a Design & Access Statement accompanying the application.

    ACA always ensure they know the local planning policy. Allan comments, “Actually it doesn’t matter where we are or where we come from. If you know the regulations and why you’re going to get something through planning, you shouldn’t have an issue.”

    Before submitting an application, Allan recommends clients discuss their drawings with neighbours so they feel they’re part of the process. While some may have objections, you can also benefit from letters of support.

    It’s advisable to get certification before starting to build

    The third stage is detailed design development. The architect and engineer will spend time researching and inputting information like SAP / PHPP calculations, but many things need to be confirmed by the client such as construction methods, materials, finishes, heating strategy and the level of energy performance.

    Within England’s building regulations system there’s an option to give notice to start work followed by a drip feed of information as the build goes on. Allan realises this can seem attractive to self-builders who may have experienced delays and be eager to get started. However, he prefers to put together a well thought out and detailed package for review and approval before construction starts (as is mandatory in Scotland), cautioning, “If you do rush ahead it will always cost you more in the long run.”

    Construction drawings show how the design should be built

    Stage 4 is called Production Information. The level of detail required in the previous stage demonstrates compliance with building regulations but doesn’t show precisely how the design will be built. Construction drawings are particularly important for self-builders, to ensure contractors use the methods agreed between client and architect.

    With low energy buildings or fabric first approach, you’ll need to have all the details worked out because there may be methods and products that are new to the builder. And with off-site construction methods, it’s down to the client to review and sign for a set of drawings and make sure they’re in line with the window and door schedule (e.g. ensuring the window openings match the kit size), so the cost of retaining your architect to help make sense of the complicated documentation is money well spent.

    You may not need as much on-site supervision as you might think

    The final stage is on-site supervision. In England, building control inspectors visit the site to assess work and provide assistance, but limited funding in Scotland means they don’t have time to come out, so you don’t have that safety net.

    Traditional architects often ask for a monthly retainer for site visits, but Allan feels this shouldn’t be necessary if the architect has provided all the required information and you’ve hired competent contractors. So ACA usually provide an adhoc service for this stage, charging a fixed price per visit if the client requests one. The exception to this is when ACA provides mortgage certificates, where they have to certify a phase of work (e.g. groundworks) has been completed before the lender will release the next chunk of money.

    Architects should be able to justify their fees

    When a project ends, ACA compare the time spent on that project versus fees charged. Quarterly reviews also help to ensure their fees are set appropriately, which will vary according to a client’s budget and requirements.

    Allan comments that building your own home is a very personal thing, and the deciding factor when choosing an architect shouldn’t be solely cost. He acknowledges his practice is slightly more expensive than some of their competitors (but a lot more cost effective than a comparative practice down south, even accounting for travel costs) and justifies their fees, saying, “We’ve got a better team, so we can charge the fee that we do because we actually deliver on what we need to.” He adds the majority of their clients take the full service through stages 1-5 and nobody has come back and quibbled over the fee.

     

    Find out more

    Visit the website of ACA

    Follow AC Architects on Twitter

    A big thank you

    Ben would like to thank Chris Marr from the Content Marketing Academy for connecting us to Allan and for facilitating the interview.

    If you’re a business owner, looking to serve your customers better in our digital world, it’s definitely worth learning more about what Chris does.

     

    Transcript

    Download a transcript of the interview with Allan Corfield

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  • HPH086 : How to Visualise a New House – with Dylan Lamar from Green Hammer

    HPH086 : How to Visualise a New House – with Dylan Lamar from Green Hammer

    Dylan Lamar from Green Hammer explains how design ideas are communicated in various different ways, from sketches drawn by hand to sophisticated computer models. He also shares the design process at Green Hammer, and how and why house plans evolve.

    dylan-lamar

     

    Interview with Dylan Lamar

    Architect Dylan Lamar is one of the most experienced Passivhaus consultants in the United States. Whilst a grad student at the University of Illinois in 2003 he was taught for a term by Katrin Klingenberg, who is now the Director of the Passive House Institute US. It was at this point that he began to use the Passive House Planning Package (PHPP) and he never looked back.

    Dylan says: “I was really eager for something that was a good synthesis of sustainably oriented technical work with the design work of an architect and it was and has continued to be a perfect marriage for me in terms of my ambitions.”

     

    The First Step of the Design Process is Establishing the Client’s Goals

    The designers will work to find a middle ground between the client’s objectives, such as aesthetics and sustainability goals, and more general goals that are typical of a house, such as good daylight, comfort etc, to create a starting point in the design process. This would be done usually with a couple of interviews and a site visit, and result in some preliminary hand-sketched ideas.

    Ankeny-Row-streetscape

    An illustration of Ankeny Row Cohousing scheme

    SketchUp is a Design Tool That Can be Used by Professionals and Non-Professionals Alike

    SketchUp is free software that, if the client has an aptitude for geometry and 3D visualisation, can be a useful tool to enable them to create floor plans and basic 3D models. Because it is not one of the more sophisticated rendering software, it lends itself more to the novice user than other more advanced software like the Revit or ArchiCAD BIM (Building Information Modelling) platforms. BIM is an advanced and expensive software that gives a data point on every point of a building, which enables an experienced user to model it and produce it in a quantifiable schedule.

    SketchUp-example

    Ankeny Row was modelled in SketchUp

    designPH has the Ability to Export Data from SketchUp into PHPP

    Once the mass and detail of the building are modelled in SketchUp, a new plugin called designPH can be run to create a simplified version of the PHPP (Passive House Planning Package) analysis. This will give fairly basic results, however the information can be imported to populate the PHPP with the SketchUp data.

    designph_logo

    A Dream Client Will Have Clarity on What’s Important to Them

    If the client has a strong idea of what they’re looking for and is honest about the budget they have, the project is likely to be a success.

    Although in the first round of the design the costings will usually come out higher than the budget, discussions then can focus on whether the client wants to add more money or cut back the programme in order to design a Passivhaus that will fit the budget. One way simple way of bringing things back on track is to reduce the floor area of the project a little.

     

    Creating the Final Design is an Iterative Process

    Step 1: Often this begins with preliminary hand drawn floor plans that are intuitive for the designer and approachable for the client.

    Step 2: These floor plans can then be created in SketchUp to render elevations and create massing models. Budget depending, interior modelling can also be done, but usually it’s just the exterior.

    Step 3: A basic idea of the energy performance for the design can already be sensed, so when the client is happy with the design, designPH is run within SketchUp to give a basic energy analysis.

    Step 4: The data is exported to PHPP where a detailed report of the energy analysis is generated.

    Step 5: The clients will see a simplified version of the report, after which recommendations for improvements, perhaps window size or orientation, can be made.

    Step 6: The steps might be repeated a couple of times following design changes and updating the energy model.

    Step 7: A detailed cost analysis will be generated to show how much it is going to cost to build and this will be discussed at a review meeting with the client. At this stage if it is coming in over budget recommendations will be put forward to the client for ways of reducing costs without compromising on the quality of the house.

    [Tweet “Dylan Lamar: “It can often be, with a talented designer, they can do more with less.””]

    dylans-project

    Goodspeed-Phillips exterior renovation

    There are Multiple Reasons Why Plans Will Change Once On-Site

    In a traditional process where the architects and builders are separate entities, there is an onerous process of legal documentation that needs to be provided for any changes.

    For a design-build company the process is more fluid. At each stage the construction manager has been involved and lending valuable input so already has full knowledge of the building.

    Changes to the design might be because a client changes their mind on something, a sub-contractor comes on board and with their specialist knowledge might suggest an alternative way of doing it, or there might be unexpected issues once digging on the site commences.

    Brooks_Kitchen

     

    Find Out More

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  • HPH065 : How Simple Design Decisions Can Impact on Energy Performance – with Alan Budden from Eco Design Consultants

    HPH065 : How Simple Design Decisions Can Impact on Energy Performance – with Alan Budden from Eco Design Consultants

    Alan Budden from Eco Design Consultants explains how simple design decisions can drastically alter the energy performance of a house and why this means your designer needs to be using a tool like the Passive House Planning Package (PHPP) to better inform these decisions.

    Alan-Budden

     

    Interview with Alan Budden

    Even as a kid Alan Budden was interested in buildings and architecture.

    After training as an architect he became an associate at PRP Architects, where he designed one of the UK’s first 5-star houses at BRE Innovation Park.

    For the last five years he’s been running his own practice Eco Design Consultants as well as teaching architecture at Birmingham City University.

     

    Some Forms Are More Efficient Than Others

    The building shape – or form – can make a huge difference to the energy performance. This is because heat loss occurs through the external walls and fabric of the building, and so the more surface area there is the greater the losses.

    The diagram below shows how three houses with the same floor area – in this case 100m2 – perform differently (assuming the U-values are constant throughout).

    house shape

    The simplest shape possible would be a sphere but that would not be practical to build or utilise! So the next most efficient form is a cube (in terms of best floor area to surface area ratio).

     

    An Efficient Form Factor Reduces Building Costs Too!

    As the most expensive part of a building is the outside envelope, an efficient form gives you maximum floor area for the minimum amount of materials (and thus keeping costs low).

     

    Energy-Efficient Buildings Must Fulfil Their Function AND Give Delight

    Simple buildings don’t have to be boring! It’s about using different materials creatively and adding to the facade.

    Alan tells the story of why he put a narrow floor-to-ceiling window in his Howe Park project because kids love to be able to see out! Although in energy terms it could have been dismissed, it provides delight.

    window-kids-love-1

     

    Window Frames Are Probably the Weakest Point in a Building!

    While the U-value of an external wall could be as low as 0.1, for a window frame it’s likely to be around 1, which would be 10 times worse.

    So choosing windows that minimise the amount of framing makes sense.

    The diagram below shows some different examples.

    window types

     

    When Making Design Decisions We Need to Understand the Impact on the Whole Building

    Although putting in a dormer window might not make sense in terms of energy efficiency, it could still be a feature that you want.

    So in order to keep on track in producing an ultra low energy home, it is therefore necessary to make up for it somewhere else (perhaps by increasing the insulation).

    This is why modelling the building in the Passive House Planning Package (PHPP) is so important in understanding the overall picture.

    Howe-Park-exterior

    Howe Park, Milton Keynes

    Building Regulations Sets a Poor Benchmark for Airtightness

    Alan is the architect behind one of the world’s most airtight buildings, Howe Park.

    With an airtightness result of 0.07 air changes per hour this means that the house is 355% more effective (in terms of heat losses) than one constructed to UK Building Regulations (which is 10)!

    Alan says: “Even with a building regulation house now built to fairly good standards, not quite to Passivhaus but pretty good, if you had an airtightness of 10 you’d be losing as much heat through draughts as you would through the insulation.”

    airtightness

    Airtightness is Really About Reducing the Draughts in a Building

    Alan thinks about airtightness in the same way as the old Everest advert! It’s really about reducing the draughts.

    Very Airtight Buildings and Quality Go Hand in Hand

    As Alan completes more and more Passivhaus projects he believes it is raising the quality of the builds.

    When everyone on site knows there’s going to be an airtightness test at the end, they make sure there is attention to detail in all areas.

    Howe-Park-interior

    Interior of Howe Park

    Find Out More

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